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Carl's Morning Quiz
Carl's Morning Quiz: Today is Cedille Day on WFMT. We are featuring recordings from the Chicago-based classical record label, Cedille. Our special guest is the founder of Cedille Records, Jim Ginsburg. What does Jim's mother do for a living? Answer >>
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Chicago Classical Calendar
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With over 30,000 recordings in WFMT's "record" library, the staff seldom focuses on a single record label for very long. When it happens, it's usually because an artist has an exclusive agreement with a label; and the programming staff is featuring that artist. On Friday, WFMT honors a record label that has made it its mission to enhance the cultural life of Chicago. Cedille Records Day celebrates the Chicago-based record label that for 25 years, has been recording the gifted and diverse musicians and composers more...
After being off-line for two months, WFMT's Fay and Daniel Levin Performance Studio is open for business. With a new mixing board, new recording equipment, and a sassy blue paint job (better for shooting photographs and video), the studio re-opened last week for a recording with composer Lita Grier, followed by a live broadcast of "Folkstage" more...
Ashu returns to Chicago for a recital at Ravinia. The Northwestern graduate is logging thousands of frequent flyer miles these days, giving concerts throughout Europe, North America, Asia, and Oceania. Ashu had been playing the saxophone for only a few years when he entered a contest. Taking the top prize, he was granted a solo recital at Carnegie Hall at the age of 16 more...
From Charlie Parker to Kenny G, John Coltrane to Clarence Clemons, the sultry sounds of the saxophone have been a mainstay for American music. Many have praised the saxophone's vocalism, range of color, and expressivity. Nevertheless, it's been a tough road for classical soloists. more...
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Greyfriars Kirk, Edinburgh
Bold and stylish instrumental playing gave this performance its brilliant vivacity adding to its dramatic, raunchy storytelling
There are few performers better-versed in the music of Claudio Monteverdi than Rinaldo Alessandrini and the ensemble he founded 30 years ago, Concerto Italiano. In 2007 they brought a five-part madrigals series to Edinburgh; this year their visit was all-too-brief a single concert done and dusted in less than an hour. I could have happily sat through several times that.
The great appeal of Concerto Italiano's playing (and singing, though in this instance their instrumentalists outshone their vocalists) is how natural and unmannered it sounds. Take Alessandrini's harpsichord playing: his touch is simple, clean, spacious, full of buoyancy. He revels in Monteverdi's outlandish harmonies with a terrific sense of pacing and flux, but he limits extravagant ornamentation, which is no bad thing.Continue reading...
Iceland Symphony Orchestra make their Proms debut tonight, in a concert called Classical Tectonics
The Iceland Symphony Orchestra makes its debut at the Proms on Friday night; a concert called Classical Tectonics in homage to the thrillingly adventurous, all-contemporary Tectonics festivals that their chief conductor Ilan Volkov puts on with them every year, and which he has also brought to Glasgow with the BBC Scottish Symphony Orchestra.
At the Proms, Volkov masterminded the magnificently chaotic, cactus-enhanced concert for John Cages centenary a couple of years ago, and last year, gave another brilliant showcase of new music from Fredric Rzewski to Morton Feldman. All of which makes this years Iceland programme look, on the face of it, much more conservative, with Schumanns Piano Concerto (the soloist is Jonathan Biss, who made his Proms debut last Friday with a scintillating performance of Bernard Rands Concerto for Piano and Orchestra, and is now making a habit of Friday nights at the Royal Albert Hall) and Beethovens Fifth Symphony. But Volkov brings a similar imagination to the core classical repertoire too, which ought to make the Fifth Symphony an unusually seismic experience.Continue reading...
Classical to ragtime, blues to pop, its time to tinkle the ivories, press the pedals and lift the lid on those string-hitting hammers
The piano aint got no wrong notes, said the free-flowing, flawless Thelonius Monk. Marvin Gaye, however, stared at the 88 keys and was looking for more: These cant be the only notes in the world. Theres got to be others some place, in some dimension, between the cracks on the piano keys. Perhaps thats where his own combinations of notes came in. The pianoforte, whether honky tonk upright or elegant 12ft Steinway, has always offered music on a grand scale, a place to express a full range of emotions. And among the greatest, Frédéric Chopin, in his darkest moments, declared that sometimes I can only groan, and suffer, and pour out my despair at the piano. What virtuoso despair that must have been to witness.
Such deep emotions, however, can be reproduced or reinterpreted by others. Here they are reflected in Roman Polanksis Oscar-winning film, The Pianist, based on the autobiography of Polish Holocaust survivor Wladyslaw Szpilman.Continue reading...
Britain will not work with Syrian President Bashar al-Assad in the battle against Islamic State extremists, Foreign Secretary Philip Hammond says.
Islamic State militants in Syria and Iraq are the most dangerous threat the US has faced in recent years, senior American officials warn.
Ukraine's President Poroshenko accuses Russia of a "flagrant violation of international law" after Russian humanitarian aid lorries crossed the border without permission.
We talk with former Chicago Tonight correspondent and Al Jazeera reporter Ash-har...
Forty years ago, President Richard Nixon resigned his presidency following the...
The Streets and San tree trimmer's saw bites into the upper limbs of the large dead ash...
Latvian Radio Choir: Sacred Love
Ondine ODE 1226-2
Stanislav Khristenko: Fantasies
Steinway & Sons 30032
Fifth House Ensemble: Excelsior
Cedille CDR 90000 148
Jazz Meets Classical Song
Cedille CDR 90000 149