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Carl's Morning Quiz
Carl's Morning Quiz: Alexander Borodin, the Russian composer, doctor, and chemist is best remembered for his opera Prince Igor, his symphonies, and his string quartets. Although he died in 1887, he won a Tony Award (Broadway's annual award) in 1954. Why? Answer >>
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Chicago Classical Calendar
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The New Budapest Orpheum Society is an ensemble-in-residence at the University of Chicago. The ensemble is part of the Humanities Division and draws upon a wide range of repertories. Some tunes are all but forgotten, many have been rediscovered in European archives; all celebrate the tradition of Jewish cabaret. Jewish cabaret tended to be urban, edgy, and packed with social commentary and adult situations more...
Update: 7:43 pm CDT Friday's crowd is estimated at over 20,000 people. Hundreds more are being turned away at the park entrance. Riccardo Muti brings the Chicago Symphony Orchestra to Millennium Park on Friday for a free, all-Tchaikovsky concert. It's been four years to the day since Maestro Muti gave his inaugural concert in the park's more...
When Phil Grabsky looks out into the world, he sees stories that need to be told. As an independent filmmaker, he's followed his passion from Brazil to Angola, from Chernobyl to Afghanistan. He also has a fascination for great composers. Phil Grabsky is in Chicago to introduce his new film In Search of Chopin more...
The Chicago Symphony Orchestra makes a joyful noise this weekend, performing to capacity crowds. Riccardo Muti opens the concert season with four sold-out performances of Beethoven's 9th Symphony, and a free Tchaikovsky concert at Millennium Park. With orchestra and chorus declaring Friedrich Schiller's Ode to Joy more...
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Violinist Joshua Bell will return to perform in capital citys metro after 2007 experiment failed to win subway audiences attention
Joshua Bell wants a do-over in Washington.
The Grammy-winning violinist played for spare change in a subway station during a 2007 experiment with the Washington Post, and almost no one paid attention. It made for a good magazine story that won the Pulitzer Prize. But Bell hasnt been able to live it down after seven years.Continue reading...
On the eve of the London Philharmonics season-long celebration of Rachmaninov: what conductors can learn from the composers own inspirational performances
The London Philharmonic embarks on its 11-concert Rachmaninov: Inside Out series next week. The season-long series includes performances of all the symphonies (including the Symphonic Dances that Vladimir Jurowski conducts in the opening concert on 3 October), the piano concertos in all their respective versions (that means the originals and revisions of the 1st and 4th), concert performances of his opera The Miserly Knight, and his choral masterpiece The Bells - and much, much more. Its a unique chance to immerse yourself in Rachmaninovs creative world, and - I hope - to overturn once and for all the wretchedly myopic view that Rachmaninovs only achievement was to turn sentimentality into sound. Nothing could be further from the truth, and if you need one piece to disprove it, the Symphonic Dances, his last work, is the perfect, adventurous, ghoulish, nightmarish, yet consoling place to start.Continue reading...
Royal Opera House, London
Mark Elders elegant conducting, and old and new faces on stage make for a very enjoyable revival
Patrice Caurier and Moshe Leisers production of Rossinis Barber of Seville has been a vehicle for some very starry stars since its 2005 debut. The cast for its third revival is less familiar, but makes an uncommonly satisfying team. Thats partly down to Thomas Guthries taut revival direction, which brings out the heart in this stylised production even if some of its trappings the false noses and buttocks for the servants are now looking a bit tired. Its also down to Mark Elders spacious, elegantly phrased conducting. Now and then the orchestra sounds slightly edgy at this, the second performance, the tuning wasnt always spot-on but thanks to Elder even the most familiar numbers never sound routine.
The two lovers are both new faces here, and on this evidence well be seeing a lot more of them. Michele Angelini sings lovestruck Count Almaviva in an easy, honeyed tenor that goes right to the top; its a gentle voice, not huge but substantial, and it bounces off the candy-striped walls of Christian Fenouillats set to fill the auditorium. He throws in some audacious embellishments, and brings off every one. Serena Malfi may not have quite the comic gift of Joyce DiDonato, the original Rosina of this production, but she gets some laughs, and sings with an agile, creamy yet glinting mezzo-soprano with low notes as bright as the top ones.Continue reading...
President Obama hails the support of Arab nations in air strikes which reportedly killed dozens of Islamic State and jihadist militants in Syria.
Ed Miliband tells the Labour conference he wants to recruit 36,000 NHS doctors, nurses and other health staff - partly funded by a tax on tobacco firms and expensive homes.
The family of British hostage Alan Henning receives an audio file of him "pleading for his life".
On Saturday morning, Cardinal Francis George introduced his successor, Bishop Blase...
As the Ebola virus continues to spread despite efforts to contain it, we talk with...
If you spent time in city parks this summer, you may have noticed trees being...
Kraus: Arias & Overtures
Stile Antico: From the Imperial Court
Harmonia Mundi HMU-807595
Reference Recordings RR-133
Works of Saint-Saens
Warner Classics 0825646281442
Wagner Without Words
Signum Classics SIGCD-388 (2 CDs)