The American soprano, one of the most admired singers of her generation, is headlining the Metropolitan Opera’s first new production of Verdi’s “Aida” in 36 years.

This broadcast celebrates Margaret Hillis, founder and first director of the Chicago Symphony Chorus, featuring three Grammy Award-winning recordings. Bartók’s Cantata profana led by Pierre Boulez is the centerpiece, bookended by an excerpt from Brahms’ German Requiem and Verdi’s monumental Requiem, both under the baton of eighth music director Sir Georg Solti.

A 1962 audience-favorite Met Broadcast featuring Carlo Bergonzi and Leontyne Price.

Bumbry was among the winners of the 1958 Met National Council Auditions. She had a recital debut in Paris that same year and made her Paris Opéra debut in 1960.

A playlist curated by baritone and advocate Kenneth Overton to celebrate a living legend.

To coincide with exciting new additions to the WTTW slate, WFMT has compiled a playlist celebrating the pinnacles of Black and Latino artistry in vocal music.

More than 60 years after Marian Anderson broke the color barrier at the Met, Black singers still face unique obstacles within the opera industry. “We’ve made some strides, but not a whole lot,” said Professor Naomi Andre.

“Summertime” from George Gershwin’s Porgy and Bess is one of the one most popular songs in the Great American Songbook. But did you know that neither the tune to “Summertime” nor the lyrics are by George Gershwin?

Learn how Lawrence Brownlee, hailed as one of the world’s leading tenors, is developing new works that respond to issues facing men of color today.

WFMT host Kerry Frumkin has picked 5 of his favorite classical recordings. But it’s better to listen to them on vinyl.

If “Music oft hath such a charm / To make bad good, and good provoke to harm,” perhaps these 10 Shakespeare-inspired operas will charm you.

Elise K. Kirk, emerita director of the White House Historical Society, highlights ten US presidents who changed music in America through the music they presented at the White House.

When Karpman encountered Langston Hughes’ poem, she was instantly fascinated.