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Robert Chen & George Vatchnadze

October 9, 2017, 8:00 pm

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Robert Chen

Violinist and CSO Concertmaster Robert Chen along with pianist George Vatchnadze join us live in the Levin Studio with a program of Mozart, Ravel, Brahms and Kreisler.

Playlist

Wolfgang Amadeus Mozart
Sonata for Piano and Violin in B flat Major K454
Maurice Ravel 
Sonata for Violin and Piano in G Major
Johannes Brahms  
Sonata for Piano and Violin no. 3 in d minor op. 108
Fritz Kreisler    
Liebesleid
Liebesfreud
Maurice Ravel
Tzigane
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Interviewing the Interviewer (1/16/1967)

October 6, 2017, 11:00 pm

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Studs Terkel

On January 16, 1967, two of Studs Terkel’s friends,  newspaperman and biographer Herman Kogan and author and journalist Mike Royko, surprised Studs by showing up in the WFMT studio as he was about to go on the air. Whatever Studs had planned for his program that day went by the wayside as the visiting pair of veteran writers interviewed him …

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Orion Ensemble

October 2, 2017, 8:00 pm

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Orion Ensemble

The Orion Ensemble returns to the Levin Performance Studio with a program entitled A Beautiful Oboe and Friends.

Playlist

Wolfgang Amadeus Mozart (1756-1791)
QUARTET in F Major for Oboe, Violin, Viola, and Cello K. 370/368b
Allegro
Adagio
Rondeau: Allegro

Sergei Prokofiev (1891-1953)
QUINTET for Oboe, Clarinet, Violin, Viola, and Bass, Op. 39 (1924)
Moderato: Theme and Variations
Andante energico
Allegro sostenuto, con brio
Adagio pesante
Allegro precipitato, ma non troppo presto
Andantino

Wolfgang Amadeus Mozart (1756-1791)
Bass Oboe and Cello, K. 292/196c
Allegro
Andante
Rondo: Allegro

Franz Schubert (1797-1828)
QUINTET in A Major (“Trout”) for Violin, Viola, Cello, Bass, and Piano, Op. 114, D. 667
Allegro vivace
Andante
Scherzo: Presto
Thema con variazioni: Andantino
Allegro giusto

Spain and Latin America on Six-Strings

September 30, 2017, 7:00 pm

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Spain and Latin America are the homeland of the guitar. Nurtured by the Spanish inheritance as well as the African sense of rhythm and the Native American melodies, Latin American guitar music has given a treasure of music to the world.

Playlist

The Four Seasons in Buenos Aires by Astor Piazzolla
Agustín Carlevaro, guitar

Volavérunt by Eduardo Morales Caso
Dúo Sonidos

Four Pieces for Four Guitars by Guido Sánchez‐Portuguez
Dúo Sonidos

Plegaria y Canto al Borde de la Mar by Carlos Rafael Rivera
Cavatina Duo; Desireé Ruthstrat, violin

Sobo, a traditional song
Frantz Casseus, guitar

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Lyric Opera’s “Orphée et Eurydice”

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This opera’s justly famous aria “J’ai perdu mon Euridice” in French or “Che faro senza Euridice” in Italian is heard by soprano Maria Callas, tenor Juan Diego Florez, mezzo‐soprano Rita Gorr, flautist James Galway and contralto Kathleen Ferrier.

Playlist

Gluck: Orfeo ed Euridice, “Che faro senza Euridice?”
James Galway with the London Symphony Orchestra
Conducted by Klauspeter Seibel
Recorded in London in 2004
DGG B0003024‐02

Gluck: Orphée et Eurydice, “J’ai perdu mon Eurydice”
Maria Callas with the National Orchestra of the R.D. F.
Conducted by Georges Pretre
Recorded in Paris in 1961
EMI CDM 7 63182 2

Gluck: Orfeo ed Euridice, “Che faro senza Euridice?”
Kathleen Ferrier with the Southern Philharmonic Orchestra
Conducted by Fritz Stiedry
Recorded in London in 1947
DECCA 478 3594

Gluck: Orphée et Eurydice, “J’ai perdu mon Euridice”
Juan Diego Florez with the Orchestra Sinfonica di Milano Giuseppe Verdi Conducted by Carlo Rizzi
Recorded in Milan in 2003
DECCA B0003136‐02

Gluck: Orphée et Eurydice, “J’ai perdu mon Euridice”
Rita Gorr with the the National Theater Orchestra of the Paris Opera Conducted by Andre Cluytens
Recorded in Paris in 1959

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Starting from Scratch

September 29, 2017, 10:00 pm

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Grammy Award winner, Steven Mackey with guitar

This week’s Relevant Tones focuses on composers who have tried to step outside the box, redefine their definitions of music, and start over without limitations. We’ll be examining the works of Alvin Lucier, Chris Preissing, James Tenney, Lou Harrison, and more.

Playlist

I am sitting in a room, by Alvin Lucier
Alvin Lucier

Cellogram, by James Tenney
William Jason Raynovich, cello

Cornish Lancaran, by Lou Harrison
Musicians of the Gamelan Si Betty; Berkeley Chamber Singers

Tabuh-Tabuhan, Toccata for Orchestra, by Colin McPhee
Eastman/Rochester Symphony Orchestra; Howard Hanson, conductor

Delusion and the Fury: A Ritual of Dream and Delusion, by Harry Partch

Pales, by Christopher Preissing
Angela DiOrio, clarinet

Indigenous instruments, by Steve Mackey
Eighth Blackbird

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Harry Bicket & The English Concert with Henry Purcell & Friends

September 27, 2017, 10:00 pm

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Harry Bicket & The English Concert

Harry Bicket, who is guest conducting Lyric Opera’s production of Orphée et Eurydice through October 15, here leads members of The English Concert and vocal soloists Rosemary Joshua and Sarah Connelly in songs, arias, and duets by Henry Purcell. Instrumental works by Purcell’s contemporaries Matthew Locke, John Blow, and Christopher Gibbons create context for Purcell’s songs. Recorded live in concert …

Playlist

Matthew Locke (~1622-1677)
The Tempest, suite, Part I

Henry Purcell (1659-1695)
If Music be the Food of Love
Draw Near You Lovers that Complain
Oh the Sweet Delights of Love

Matthew Locke
The Tempest, suite, Part II

Henry Purcell
Music for a While
My Dearest, My Fairest

John Blow (1649-1708)
Chaconne in G

Henry Purcell
O Solitude
Sweeter than Roses

Christopher Gibbons (1615-1676)
Fantasy-Suite in D minor

– Fantasy
– Allman
– Galliard

Henry Purcell
Love, Thou art Best

PERFORMERS
Rosemary Joshua, soprano
Sarah Connelly, mezzo-soprano
The English Concert
Harry Bicket, conductor

Opening & Closing Theme for Baroque&Before: Joan Ambrosio Dalza: Piva, performed by Musica Reservata (Boston Skyline BSD 123)

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Yaegy Park and Victor Santiago Asuncion

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Yaegy Park

Violinist Yaegy Park and pianist Victor Santiago Asuncion perform works by Mozart, Dvorák and Ravel live on this Dame Myra Hess Memorial Concert Broadcast.

Playlist

Yaegy Park, Violin
Victor Santiago Asuncion, Piano

Violin Sonata in E minor, K. 304 (14’)
I. Allegro
II. Tempo di menuetto
Wolfgang Amadeus Mozart (1756 – 1791)

Romance, Op. 11 (13’)
Antonín Dvořák (1841 – 1904)

Tzigane (10’)
Maurice Ravel (1875 – 1937)

FROM THE IMF WEBSITE

Violinist Yaegy Park was born in Houston, Texas, and was recognized as a rising young violinist when she joined the Houston Young Artists at age 4, the foundation’s youngest member in history. She then performed in local hospitals and nursing homes with the HYAC, developing a passion for community service through music. Under the mentorship of Kyung Sun Lee, Ms. Park was named a Jack Kent Cooke Artist and performed on the NPR program “From the Top”. She went to Germany in 2009 and won 3rd place in the Louis Spohr International Competition. In 2010, she took 1st place in the International Russian Rotary Children’s Music Competition and American Protégé International Competition.

Ms. Park was accepted to the Pre-College Division of the Juilliard School, under the tutelage of Catherine Cho in 2011. During this time, she won top prizes in such competitions as the International Virtuoso Competition, the YWCA New York Music Competition, the NY Chamber Players Competition, and the Stulberg International Competition in 2015, which has given her performances with orchestras like the Grand Rapids, Kalamazoo, Temple Symphonies and the Baltimore Chamber Orchestra. The same year, she was named a YoungArts finalist and had her Carnegie Hall debut with the Foundation for the Revival of Classical Culture. Currently, she is a G.rium Artist, sponsored by SK Chemical, giving her recital opportunities in South Korea until 2018.

Ms. Park is also an avid chamber musician. She is part of the Eva Quartet at the Juilliard School participating in community outreach projects in collaboration with Daniel’s Music Foundation. She is currently a third year BM student at Juilliard and uses a Zygmuntowicz violin on loan from the Maestro Foundation.

Hailed by The Washington Post for his “poised and imaginative playing,” pianist Victor Santiago Asuncion has appeared in concert halls in Brazil, Canada, Ecuador, France, Italy, Germany, Japan, Mexico, the Philippines, Spain, Turkey and the USA, as a recitalist and concerto soloist.  He made his orchestral debut at the age of 18 with the Manila Chamber Orchestra, and his New York recital debut in Carnegie’s Weill Recital Hall in 1999.

A chamber music enthusiast, he has performed with artists such as Lynn Harrell, Zuill Bailey, Andres Diaz, Antonio Meneses, Joshua Roman, Cho-Liang Lin, and many others. He served on the chamber music faculty of the Aspen Music Festival, and the Garth Newel Summer Music Festival.  He was also the pianist for the Garth Newel Piano Quartet for three seasons.  His recordings include the complete Sonatas of Beethoven with cellist Tobias Werner, sonatas by Shostakovich and Rachmaninoff with cellist Joseph Johnson, and the Rachmaninoff Sonata with the cellist Evan Drachman. He is also featured on the award winning recording “Songs My Father Taught Me” with Lynn Harrell, produced by Louise Frank and WFMT-Chicago.

He received his Doctor of Musical Arts Degree in 2007 from the University of Maryland at College Park under the tutelage of Rita Sloan. Victor Asuncion is a Steinway artist.

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Eden-Stell Guitar Duo

September 26, 2017, 11:00 am

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Widely regarded as one of the world’s leading guitar ensembles, the Eden Stell Guitar Duo ’s chameleon-like ability to communicate in a multitude of styles gives them a uniquely creative, musical voice.

  • “Le rappel des oiseaux,” from the Suite in E Minor in the Pièces de clavecin avec une méthode, by Jean-Philippe Rameau

     

  • Songs and Dances No. 5 and 6, by Federico Mompou, arranged by Mark Eden

     

  • “Somebody Loves Me,” by George Gershwin

  • “Do, Do, Do,” by George Gershwin

  • Suite for Piano in C Major, by Francis Poulenc, arranged by Chris Stell

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Inge Borkh at 100

September 23, 2017, 4:30 pm

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German soprano Inge Borkh turned 100 earlier this year. Larry celebrates her centenary with “In questa reggia” from Puccini’s Turandot and the “Final Scene” from Richard Strauss’ Salome.