Michael Repper leads the National Philharmonic in a celebration of Samuel Coleridge-Taylor – an album of world-premiere recordings commemorating the 150th anniversary of the composer’s birth.. The program features new performance editions of Toussaint L’Ouverture, Ballade in D minor, Op. 4, and the Suite from 24 Negro Melodies. Grammy-nominated violinist Curtis Stewart is featured in the Ballade and in his own arrangements of three of Coleridge-Taylor’s 24 Negro Melodies.

“My intent with these arrangements is to acknowledge the impact of those melodies on current popular culture, and reflect that influence onto the orchestral stage – to create moments where listeners may participate vocally, with movement, or rhythmically clapping along – to maintain a sense of belonging and recognition – to create community around this music in the classical concert hall – to embrace where all contemporary American Concert music extends from, in my belief – America’s mother-music: the Blues.” – Curtis Stewart