Slovenia and Croatia — Exploring One of Europe’s Great Cultural Crossroads

IZOLA, SLOVENIA
Sv. Marija d’Alieto

Petar Nakič and Francesco Dacci c. 18th-century
Moved to present location in 1796

Manual (CDEFGA-c3)

Principali Bassi (8’)
Principali Soprani (8’)
Ottava (4’)
Flauto in VIII Bassi (4’)
Flauto in VIII Soprani (4’)
Quintadecima (2’)
Decimanona (1 1/3’)
Vigesimasecdona (1’)
Tromboncini Bassi (8’)
Tromboncini Soprano (8’)

Pedal (CDEFGA-a)

Permanently Coupled to Manual

Technical Information

Mechanical Action with Spring Chests
Short-Octave

Reconstructed Tromboncini

Principali Bassi 8’ permanently engaged in lowest octave

LJUBLJANA, SLOVENIA
Stolnica Sv. Nikolaj - St. Nicholas Cathedral

1911-1912 Ivan Milavec

I. Manual (56 notes)

16’ Principal
16’ Burdon
8’ Principal
8’ Rog
8’ Gamba
8’ Harmonična flavta
8’ Burdon
8’ Kvintaten
8’ Harmonika
4’ Oktava
4’ Cevna flavta
4’ Salicet
2 2/3’ Kvinta
2’ Superoktava
Mikstura (2 2/3’)
Kornet (8’)
8’ Trombenta

II. Manual (56 notes)

16’ Burdon
8’ Flavtni principal
8’ Salicional
8’ Cevna flavta
8’ Dunajska flavta
8’ Dolce
4’ Praestant
4’ Flauto traverse
4’ Viola
2 2/3’ Kvinta
2’ Flavtica
1 3/5’ Terca
Mikstura (2 2/3’)
8’ Klarinet

III.  Manual (56 notes, unenclosed)

8’ Violinski principal
8’ Burdonček
8’ Flauto amabile
8’ Eolina
8’ Vox coelestis
4’ Flavta
4’ Dolce
Harmonia aetherea (2 2/3’)
8’ Oboa

Pedal (30 notes)

32’ Kontraviolon
16’ Principalbas
16’ Violon
16’ Subbas
16’ Salicet
16’ Ljubkibas
8’ Octavbas
8’ Cello
8’ Burdon
4’ Flavta
16’ Pozavna
8’ Pozavna

Technical Information

Pneumatic Action with Cone-Chests (Kegellade)

I, II, III to P
III/II 16’ 8’ 4’
III/I 8’
II/I 16’ 8’ 4’
Super-Octave Couplers II, III
Sub-Octave Coupler II

Crescendo Walze with 15 steps
Crescendo Walze activator
1 Frei Kombination

Pleno
Forte
Mezzo
Piano

LJUBLJANA, SLOVENIA
Uršulinska Cerkev Sv. Trojica
Ursuline Parish Church of the Holy Trinity

1891 Franc Goršič

I. Manual (54 notes)

16’ Bordun (bas)
16’ Bordun (diskant)
8’ Principal
8’ Gemshorn
8’ Gamba
8’ Hohlflöte
8’ Rohrflöte
4’ Octav
4’ Flûte harmonique
2’ Flûte à pavillon
III-V Cornett (8’)
IV Mixtur (2 2/3’)

II. Manual (54 notes)

16’ Viola major (bas)
16’ Viola major (diskant)
8’ Geigenprincipal
8’ Salicional
8’ Lieblichgedeckt
8’ Dolce
4’ Fugara
4’ Flauto dolce
II Doublette (2 2/3’, 2’)
8’ Oboe

III.  Manual (54 notes, unenclosed)

8’ Zartflöte
8’ Viola d’amore
8’ Unda maris
4’ Aeoline

Pedal (27 notes)

32’ Untersatz
16’ Principalbass
16’ Subbass
16’ Viola major (from II)
8’ Octav Bass
8’ Violoncello
16’ Posaune

Technical Information

Mechanical Action with Cone-Chests (Kegellade)

I/P
II/P
III/I
II/I

Pneumatic Crescendo “Walze” for Manual II and Pedal only

Hand-crank Walze for assistant
Foot Pedal “Wheel” for Walze

Forte (foot)
Mezzo (foot)
Piano (foot)

OLIMJE, SLOVENIA
Cerkev Marijinega Vnebovzetje
Church of the Assumption of Our Lady

II. Manual (CDEFGA-c3)

8’ Flauta (open wood)
8’ Copula maior
4’ Principal
4’ Copula minor
4’ Fugara
3’ Quint
2’ Octav
III Mixtura

I. Manual (CDEFGA-c3)

8’ Copula maior
4’ Copula minor
2’ Principal
II Mixtura

Pedal (CDEFGA-a)

16’ Subbass
8’ Octavbass

Technical Information

Mechanical Action

“Short Octave” for manuals and pedal

No couplers

ROCHESTER, New York, USA
Memorial Art Gallery - Fountain Court

Builder Unknown c. 1770
Incorporating 17th century material

2005 restored by Gerald Woehl

Manual (CDEFGA-c3)

Principale bassi (8’)
Principale soprani (8’)
Voce Umana (8’ from d1)
Ottava (4’)
Flauto in ottava (4’)
Flauto in duodecima (2 2/3’)
Decimaquinta (2’)
Flauto in VXII (1 3/5’ from f1)
Decimanona (1 1/3’)
Vigesima Seconda (1’)
Vigesima Sesta e Nona (1/2’ and 1/3’)
Tromboncini bassi (8’)
Tromboncini soprani (8’)

Pedal (CDEFGA-g#, Pull-down)

Contrabassi (16’; CDEFGA, B-flat, B, c; new: c#, d#, f#, g#)

Tamburo (c#, d#, f#, g#)

Tiratutti (draws Ripieno: 4’ – 2’ – 1 1/3’ – 1’ – 1/2’ – 1/3’)
Uccelliera (Bird)

New pipes: Tromboncini and 2’ Decimaquinta
Reconstruction of Tromboncini: Organ workshop of Pradella, Italy

ZAGREB, CROATIA
Cathedral of the Assumption of the Blessed Virgin Mary

1855 Eberhard Friedrich Walcker
1913 Firma Walcker 
1985 Firma Walcker

I. Manual (58 notes)

16’ Principal
16’ Tibia major
8’ Diapason
8’ Gemshorn
8’ Viola di Gamba
8’ Flöte
8’ Copula
8’ Dolce
5 1/3’ Nasard
4’ Octava
4’ Copula minor
4’ Dolce
2 2/3’ Quinte
2’ Superoctav
2’ Blockflöte
VI Mixtur (2 2/3’)
IV Zimbel (1 1/3’)
16’ Fogott (free-reeds)
8’ Trompete

II. Manual (58 notes

16’ Bourdon
8’ Principal (flötenintonation)
8’ Flauto
8’ Copula
8’ Viola d’amour
8’ Salicional
4’ Diapason
4’ Traversflöte
4’ Rohrflöte
2’ Superoctav
1 1/3’ Quinte +
II Sesquialter +
V Cornet (8’)
IV Scharff (1’) +
8’ Vox humana (free-reeds)
4’ Schlamey +

III.  Manual (58 notes, enclosed)

16’ Quintatön +
8’ Geigenprincipal
8’ Fugara +
8’ Hohlflöte
8’ Dulciana
8’ Aeoline
8’ Voix celeste +
4’ Viola
4’ Flauto amabile
2 2/3’ Nasard
2’ Flautino
IV Mixtur (2 2/3’) +
8’ Trompete harmon. +
8’ Oboe +
8’ Physharmonica (free-reeds)

IV. Manual (58 notes, enclosed)

8’ Hornprinzipal +
8’ Traversflöte +
8’ Viola +
8’ Unda maris +
4’ Ital. Prinzipal +
4’ Blockflöte +
2 2/3’ Nasard +
2’ Schwiegel +
1’ Sifflöte +
II Terzian (1 3/5’) +
VI Großmixtur (2’) +
16’ Tuba magna +
8’ Tuba mirabilis +
8’ Vox humana +
4’ Clairon +

Pedal (30 notes)

32’ Grand Bourdon
16’ Prinzipalbass
16’ Subbass
16’ Violonbass
8’ Octavbass
8’ Hohlflötenbass
8’ Violoncell
4’ Flöte
IV Cornett (5 1/3’)
32’ Bombardon
16’ Tuba
8’ Posaune
4’ Clarine
2’ Singend Kornett +

Technical Information

+ additions made in 1913

Electric action controlling Pneumatic Cone-Chests (Kegellade)

Standard 16’ 8’ 4’ Couplers

999-step Combination System

Automatic Pedal
Crescendo
Generalzugen ab
Handregister ab
Zungen einzeln ab
Tutti
Pleno