Composed in 1727, it’s one of two surviving J.S. Bach accounts of the last days of Jesus. Bill begins by examining the history of the Lutheran church in Germany and the early musical representations of Christ’s last days, including Bach’s earlier St. John Passion. Before the week is over, we will also sample Haydn’s Seven Last Words of Christ and Osvaldo Golijov’s La Pasión Según San Marcos.
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