“I’ve always had a special relationship with the German Romantics,” says Hélène Grimaud (in a recent interview for Deutsche Welle). “These are worlds in which I feel I can express what the composer intended.” That affinity is very much in evidence on her latest album, For Clara, which focuses not only on the pianist’s own relationship with the music of both Robert Schumann and his protégé Johannes Brahms, but also on that which bound both men to pianist-composer Clara Schumann (née Wieck). Grimaud revisits Schumann’s Kreisleriana, a work she has known most of her life and recorded once before, pairing it with Brahms’s three Op. 117 Intermezzi and his Op. 32 set of nine songs. Joining her for the latter is baritone Konstantin Krimmel.