On this week’s edition of Baroque&Before, Corina Marti and Roger Hélou present arrangements for recorders, clavisymbalum, and organetto of works from three fifteenth-century collections of original compositions and arrangements: The Buxheimer Orgelbuch, the Glogauer Liederbuch, and the Lochhamer Liederbuch.
Recorded live in concert August 18, 2017 in the Church of the Assumption of the Blessed Virgin Mary in Paradyż, Poland as part of the Music in Paradise Baroque Festival.
All “Traditional” unless otherwise noted
Buxheimer Orgelbuch (1460/1470)
Portigaler Bux
Ja falla
Der Winter will (nit) hin wichen
Sequentur redeuntes in idem
Se la phase pale,
Redeuntes in Ut
Glogauer Liederbuch (c. 1480)
Gross senen
Buxheimer Orgelbuch
Qui vault messite
Leucht leucht wunnigklicher sinnen zin
Redeuntes in La
Ein buer gein holtze
Adyen matres belle
O felicem genitricem by Petrus de Grudencz (ca 1400 – ?)
Redeuntes in Idem mi de eadem mensura
Anna vasana
Praeambulum super F
Christus surrexit mala nostra texit
En soustenant vostre querelle
Lochamer Liederbuch (mid-15th century)
Verlangen tut mich krencken
Glogauer Liederbuch
Ich sachs eins mals den lichten Morgensterne
Buxheimer Orgelbuch
Praeambulum super Sol
Redeuntes in D
Untitled
ARTISTS
Corina Marti, recorders; Roger Hélou, organetto
Opening and closing theme for Baroque&Before:
Joan Ambrosio Dalza: Piva performed by Musica Reservata (Boston Skyline BSD 123)