Although almost exact contemporaries, the lives of Johann Sebastian Bach and Domenico Scarlatti couldn’t have been more different. Tonight, young French harpsichordist Jean Rondeau presents a program of works by Bach and Scarlatti, as well as encores by François Couperin, on the 1737 Christian Zell harpischord, only one of three Zell harpsichords remaining, held in Barcelona’s Museu de la Música. …
Jean Rondeau: Bach vs Scarlatti
Playlist
Prelude from Suite in C minor, BWV 997 by Johann Sebastian Bach (1685-1750)
Fantasia in C minor, BWV 906 by Johann Sebastian Bach
Sonata in D minor, Kk. 213 by Domenico Scarlatti (1685-1757)
French Suite No. 2 in C minor, BWV 813 by Johann Sebastian Bach (Allemande, Courante, Sarabande, Air, Menuet I/II, Gigue)
Four Keyboard Sonatas by Domenico Scarlatti
Sonata in A, K. 208; Sonata in A minor, K. 175; Sonata in G minor, K. 30; Sonata in G minor, K. 426
Les baricades mistérieuses (encore) by François Couperin (1668 -1733)
La ménetou (encore) by François Couperin
ARTIST
Jean Rondeau, Harpsichord (Christian Zell, Hamburg, 1737)
Opening & Closing Theme for Baroque&Before: Piva by Joan Ambrosio Dalza, performed by Musica Reservata (Boston Skyline BSD 123)
A Naughty, Bawdy Valentine’s Day
Taking its name from the French Renaissance composer of chansons, The French early music Ensemble Clément Janequin presents a program of 15th- and 16th-century chansons. Lutenist Eric Bellocq joins the male a capella ensemble for this recital recorded live in concert in the Knight’s Hall of the Moravský Krumlov Castle, as part of the Concentus Moraviae Festival.
Playlist
PROGRAM
Nous sommes de l’ordre de Saint Babouyn by Loyset Compère (~1445-1518)
Frapes petit coup, Jehan mon amy; Fricasée (Auprès de vous) by Anonymous
Hau, hau je boiys by Claudin de Sermisy (~1490-1562)
Elle craint l’esperon by Guillaume Costeley (~1530-1606)
Allemande ‘Le Pied de Cheval’; Bransles de Champagne by Adrian Le Roy (~1520-1598)
Un jeune moine est sorti du couvent by Orlando di Lasso (1532-1594)
Mon amy m’avoit promis by Ninot Le Petit (16th century)
Blaison de beau tétin by Clément Janequin (~1485-1558)
Le Maistre Pierre Claudin de Sermisy (~1490-1562)
Or vien ça vie(n) mamye Parrette by Clément Janequin
Basses danses (Sancerre, Beurre frais) by Pierre Attaignant (~1494-~1552)
Lucescit jam, o socii by Orlando di Lasso
Un jour Robin vint Margot empoigner by Clément Janequin
Laissons amour qui nouse fait tant souffrir by Mittantier (fl. 1536-47)
Je bois à toy mon compagnon by Claude Lejeune (1528-1600)
La chasse by Clément Janequin
ARTISTS
Clément Janequin Ensemble; Dominique Visse, Director
Eric Bellocq, lute
Dominique Visse, countertenor
Martial Pauliat & Vincent Bouchot, tenors
François Fauché, baritone
Renaud Delaigue, bass
Opening & Closing Theme for Baroque&Before:
Joan Ambrosio Dalza: Piva, performed by Musica Reservata (Boston Skyline BSD 123)
Huelgas Ensemble: Flanders — A World of Polyphony
This evening’s program paints a colorful portrait of the great age of polyphony, dominated by Franco-Flemish composers between 1450 and 1600. From generation to generation, the style, which they developed, became the musical language of Europe. The Huelgas Ensemble’s diverse program of secular and sacred music provides a fine primer to the astonishing cultural sphere. Recorded live in concert June …
Playlist
PROGRAM
Pieter Maessens (~1505-1562)
Tota pulchra es
Nicolas Gombert (~1495-~1560)
Media vita
Pierre de Manchicourt (~1510-1564)
Faulte d’argent
Jacob Clement (~1515-155)
Sanctus “Gaude lux donatiane”
Je prens en gré la dure mort
Jacobus de Kerle (1531/2-1591)
Agnus Dei “Missa da pacem Domine”
Giaches de Wert (1535-1596)
Vox in rama
Philippus de Monte (1521-1603)
Solingo in selve
Fui preso, fui ferito
Orlandus Lassus (1532-1594)
Agnus Dei “Missa Triste depart”
Comme le tourterelle
Claude Le Jeune (~1530-1600)
Cigne je suis de candeur
Povre coeur entourné
ARTISTS
Huelgas Ensemble; Paul van Nevelm Director
Axelle Bernage, Sabine Lutzenberger; soprano
Helen Cassano; contralto
Adriaan de Koster, Paul Bentley-Angel, Achim Schulz, Tom Phillips, Metthew Vine; tenor
Frederik Sjollema, Romain Bockler; bass
Opening & Closing Theme for Baroque&Before:
Joan Ambrosio Dalza: Piva, performed by Musica Reservata (Boston Skyline BSD 123)
Bless’d Isle
“Where words leave off, music begins,” A celebration of the mastery of English composers from Dowland to Arne and settings of words to music. Soprano Carolyn Sampson is joined by the Academy of Ancient Music, under the direction of Richard Egarr, who also performs on harpsichord and organ. This special 90-minute edition of Baroque&Before was recorded live in concert November …
Ave Maris Stella / Mary Star of the Sea
Gothic Voices presents works from the 12th-15th centuries honoring the Biblical matriarch Mary in her various guises: caring mother, virgin lover, guiding light. Ancient ritualistic texts explore her mythical and human aspects and are set to music by masters of mediaeval England. Recorded live in concert in London’s Cadogan Hall. PROGRAM Anonymous, 13th century Ave Maria; Super te Ierusalem – …
A Feast of A Capella Music from the Renaissance
The Croatian Radio-Television Chorus under the direction of Saša Britvić presents a program of 15th- and 16th-century polyphony, focusing on works by Croatian Renaissance master of motet and madrigal Julije Skjavetić. Recorded live in concert in Zagreb’s Mimara Museum. PROGRAM Philippe Verdelot (1480-1552) Madonna, non so dir Julije Skjavetić (fl. 1530-1565) Appariran per me Era il bel viso suo Io …
In Paradiso: Spanish & Italian Canzonette
Duo La Galanía — Soprano Raquel Andueza and theorbist Jesús Fernández Baena — present a program of devotional and secular songs from 17th-century Spain and Italy. Recorded live in concert at the Church of the College of St. Michael, as part of the International Sacred Music Festival in Friburg, Switzerland. PROGRAM Anonymous Omnia vanitas praeter amare Deum, vana bergamasca Lamento …
Ave Atque Vale: Hail and Farewell
As 2017 draws to a close, we remember the life and work of three classical artists who died this past year, each, in various degrees, dedicating himself or herself to the performance and diffusion of early music: Italian conductor and musicologist Alberto Zedda, Czech harpsichordist and teacher Zuzana Růžičková, and Siberian born Russian baritone Dmitri Hvorostovsky. We laud them tonight …
Bach’s Christmas Oratorio from St. Thomas Church, Leipzig
On this special extended Christmas edition of Baroque&Before, we present a recording of Cantatas 1,2,3, and 6 of Bach’s Christmas Oratorio, recorded live in concert in Leipzig’s St. Thomas Church, where Bach was Kapellmeister from 1723 until his death in 1750. The Leipzig Gewandhaus Orchestra joins the Thomanerchor, the boys’ choir of St. Thomas Church, founded over 800 years ago. …
Music for Hanukkah of the Sephardim
Songs of celebration, of life, love, and spiritual devotion of the Sephardim — the Jews of the Iberian Peninsula, Mediterranean, Middle East, and North Africa — to celebrate the Festival of Lights.
Playlist
Salamone Rossi
Sonata sopra la Bergamasca (Sonatas, Bk. IV, No. 12)
Sinfonia settimadecima & Galliarda detta la Zambalina (Sinfonie e Galliarde, Bk. II)
Traditional
Hazaremos una merenda
Kita’l tas
La Komida la Manyana
Apollo’s Fire Baroque Orchestra and Apollo’s Chorus; Jeanette Sorrell, Director
Sephardic Journey: Wanderings of the Spanish Jews
AVIE AV 2361
Traditional
Una ramika de ruda/Una matika de ruda
A Kasar el rey
Anderleto
Ensemble Sepharad
Songs of the Spanish Jews of the Mediterranean and the Ottoman Empire
deutsche harmonia mundi DHM 77372-2
Traditional
La vida es un pasaje
Nani, nani
Ensemble Alegria
Chants séfarades
Disques Pierre Verany PV 798091