Czech ensemble Capella Mariana, founded in 2008, presents a program of motets from the German Renaissance and Baroque perfect for the Christmas season. Recorded live in concert December 6, 2016, from Prague’s Klementinum. PROGRAM Michael Praetorius (1571-1621) Nun komm de Heien Heiland Veni redemptor gentium Ecce Dominus veniet J.S. Bach (1685-1750) Lobet den Herrn all Heiden, BWV 230 …
German Motets for Advent with Capella Mariana
The Golden Age of Iberian Sacred Music
Polyphonic sacred choral music flourished throughout the Iberian Peninsula during the Renaissance, even as Protestant countries were turning toward homophony. The Montreal Early Music Studio presents works by some of the masters of 16th- and 17th-century sacred polyphony from Spain and Portugal. Presented by Studio de musique ancienne de Montréal, recorded live in concert in the Church of Saint-Léon, a …
Tomás Luis de Victoria: The Spanish Palestrina
Known as the “Spanish Palestrina,” Tomás Luis de Victoria has been called the greatest of all Iberian composers. Corund, the Swiss vocal ensemble specializing in sacred music of the Renaissance and Baroque, tonight presents a concert of a capella sacred works by Tomás Luis: three motets, followed by the Requiem of 1603. Recorded live in concert in the Valère Basilica, …
Music from Montserrat
The new organ in the Basílica of the Montserrat Abbey (Barcelona) is the largest organ in Catalonia and one of the largest in Europe. Built by Albert Blancafort and his atelier and completed in 2010, it has 4,242 pipes and 63 registers. The Montserrat International Organ Festival invited virtuoso organists for a recital to inaugurate the new organ. Tonight we’ll …
Zelenka’s Mass for All Saints
Czech composer Jan Lukáš (Dismas) Zelenka’s music was admired by Bach and other contemporaries for its harmonic and rhythmic inventiveness. His Missa Omnium Sanctorum (Mass for All Saints), written in 1741, is one of Zelenka’s few remaining masses, and the last work he composed before his death. This concert, recorded live on September 9, 2016, as part of the St. …
A word about November 1
Baroque&Before will not be heard this week, due to WFMT’s live broadcast of Lyric Opera of Chicago’s production of Wagner’s Die Walküre. Baroque&Before returns to our regular time on Wednesday, November 8th, with the Missa Omnium Sanctorum (Mass for All Saints) by Baroque Czech master Jan Dismas Zelenka.
Through a Farce Darkly: How a Glinka Overture Became the Theme Song for the Sitcom ‘Mom’
Let’s pretend. Let’s pretend that one of the classical world’s most famous opera overtures is heard by some 12 million people, every week, on TV. More amazingly, it’s neither on a public television station nor the opening music for a roundtable news program. Instead, in this fantasy world it’s in a half-hour situation comedy created by the same man who’s brought to TV Big Bang Theory, Two and Half Men, Dharma and Greg, Cybil, Mike and Molly, and Young Sheldon, to name a few.
Baroque&Before Remembers Zuzana Růžičková
The world renowned Czech harpsichordist Zuzana Růžičková died September 27, 2017 at the age of 90. In a career spanning more than half a century, she recorded over 100 albums, and was the first harpsichordist to record Bach’s complete works in a collection of 35 CDs. On this edition of Baroque&Before, we bring you excerpts from a recital featuring some …
Playlist
Chromatic Fantasy and Fugue in d minor, BWV 903, by J.S Bach
Borbála Dobozy, harpschord
Chaconne in G, HWV 435, by G.F. Handel
Jaroslav Tůma, harpsichord
Toccata fatta sopra l’assedio di Filippsburgo, by Alessandro Poglietti
Václav Luks, harpsichord
Well-Tempered Clavier, Book I (selections), by J.S. Bach
-Prelude and Fugue in c minor, BWV 847
– Prelude and Fugue in C-Sharp Major, BWV 848
– Prelude and Fugue in D Major, BWV 850
– Prelude and Fugue in g minor, BWV 861
– Prelude and Fugue in B-Flat Major, BWV 867
Zuzana Růžičková, harpsichord
Opening and closing music on tonight’s Baroque&Before:
Prelude & Fugue in C Major, BWV 846, by J.S Bach
Zuzana Růžičková, harpsichord
The Fruit of Love: Instrumental Dances by Anthony Holborne
L’Archéron, a consort of viols, devotes its entire live recital to the music of Anthony Holborne, specifically, a selection of instrumental dances from The Fruit of Love, published in 1599. Recorded live in concert in L’Église de Gruyères, at the closing recital of the Douxième Atelier de Musique Ancienne (Early Music Workshop.)
Playlist
Anthony Holborne: Selections from The Fruit of Love
Galliard
Bona Speranza
Galliard
The Night Watch
Last Will & Testament
Hermoza
Muy Linda
Infernum
Galliard
Pavan Ploravit
Ecce quam Bonum
The Choice
The teares of the Muses
The Funeralls
Pavan
Galliard
Artists
L’Archéron Consort de violes
François Joubert-Caillet, Director
Marie-Suzanne Bunh de Loye, Marion Martineau, Margaux Blanchard, Robin Pharo; viols
Miguel Henry, lute and cittern
Sofie Vanden Eynde, lute and bandora
Yoann Moulin, ottavino
Opening & Closing Theme for Baroque&Before:
Joan Ambrosio Dalza: Piva, performed by Musica Reservata (Boston Skyline BSD 123)
Monteverdi 450: Sacred&Secular
On last week’s program, we heard the Ricercar Consort, Ensemble Oltremontano , and vocal soloists in the first ten sections of the Vespers of 1610, recorded live in concert as part of the Basel Early Music Festival. Tonight, we’ll hear the rest of the Vespers Monteverdi’s masterpiece. But before we get to the sacred, we’ll turn to the secular, and …
Playlist
Filli cara e amata, from ‘Madrigali, libro primo’ (1587)
Rimanti in pace, from ‘Il terzo libro de madrigali’ (1592)
Ohimè se tanto amato, from ‘Il quarto libro de madrigali’ (1603)
Zefiro torna e’l bel tempo rimena, from ‘Il sesto libro de madrigali’ (1614)
E così a poco a poco, from ‘Il quinto libro de madrigali’ (1605)
Ensemble: Profeti della Quinta
Director: Elam Rotem
Doron Schleifer, David Feldman, cantus; Dino Lüthy, Jakob Pilgram, Dan Dunkelblum; tenor; Elam Totem, bass Orí Harmelin, lute; archlute
Recorded live in concert 28 August 2013, St. Martin’s Church, Basel, Switzerland
Vespro delle Beata Vergine (1610)
Sonata sopra ‘Sancta Maria’
Hymnus: Ave maris stella
Magnificat, a 7
Céline Scheen, Adriana Fernandez; sopranos
Pascal Bertin, Jan Börner; countertenors
Valerio Contaldo, Hans-Jörg Mammel, Julian Prégardien, Lluís Vilamajó; tenors
Stephan MacLeod, Salvo Vitale; basses
Ensemble Oltremontano
Director: Wim Becu
Doron Sherwin, Adrien Mabire, Anna Harer-Schall; cornett
Adam Woolf, Adam Bregman; trombone
Wim Becu; bass trombone
The Ricercar Consort
Director: Philippe Pierlot
Sophie Gent, Tuomo Suni; violin
Philippe Pierlot, viola da gamba
Giovanna Pessi, triple harp
Eduardo Egüez, theorbo
Maude Gratton, organ
Recorded live in concert, Basil Cathedral, Switzerland
Opening & Closing Theme for Baroque&Before:
Joan Ambrosio Dalza: Piva, performed by Musica Reservata (Boston Skyline BSD 123)