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The 1970s was the decade of concept albums, LPs my friends and I would listen to from beginning to end: Marvin Gaye’s What’s Going On, Pink Floyd’s The Wall, to name two. Pianist Orion Weiss tests the idea of a classical concept album and the hypothesis that the artist’s intent matters with the third release in his Arc series. What matters most: the concept or the result? Listeners, not the artist, will decide.

Candice AgreeHost

The new album from acclaimed pianist Orion Weiss features music by Brahms, Schubert, and Debussy paired with works from young composers after World War I and II: Ernst von Dohnányi, György Ligeti, and Louise Talma.

As the final issue of his ambitious three-part Arc series, this album is a set of pieces born from the bright points of life, inspired by peace, hope, love, ambition, optimism, and the divine. “After 2020, I longed to connect with feelings of hope and renewal—how else to chart a path forward? The arc of this recital trilogy is inverted, like a rainbow’s reflection in water,” says Orion Weiss. “Arc I’s first steps head downhill, beginning from hope and proceeding to despair. The bottom of the journey, Arc II, is Earth’s center, grief, loss, the lowest we can reach. The return trip, Arc III, is one of excitement and renewal, filled with the joy of rebirth and anticipation of a better future. As we envisage our ascent, music from times of joyful creation can create a road map leading us out and up… It is my message of faith in humans—our resilience, our rebound, our irrepressibility.”

Tracklist

Louise Talma: Alleluia in Form of Toccata
Franz Schubert: Fantasie in C major, Op. 15, D. 760, ‘Wandererfantasie’
Claude Debussy: L’isle joyeuse
Ernst von Dohnányi: Pastorale on a Hungarian Christmas Song
Johannes Brahms: Piano Sonata No. 3 in F minor, Op. 5
György Ligeti: Études, Book 1: No. 5. Arc-en-ciel

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