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Amanda Forsythe is a rare artist to have been showcased by both the CSO and Music of the Baroque in solo arias by Handel. This is the third album to feature her released within the past year. While the fireworks and bravura throughout the album make this a thrilling listen, for me, it is the nobility and beauty of tone she musters for the Aria di Bellezza from Il trionfo, “Tu del Ciel,” that puts Forsythe in a class by herself.

Oliver CamachoMusic Director

Opera Prima’s second album with soprano Amanda Forsythe features two early works by a young Handel—Armida abbandonata (1707) and Agrippina condotta a morire (1708)—as well as a trio sonata, sinfonia, and selections from his oratorio Il trionfo del tempo e del disinganno. Highly sought-after for her interpretations of Handel, Forsythe is acclaimed for her agile coloratura, exquisite breath control, and inventive ornamentation—qualities that critics have praised in her performances with ensembles like the Chicago Symphony Orchestra, Apollo’s Fire, and the Boston Early Music Festival.

Opera Prima is led by its founder, Italian viola da gamba virtuoso Cristiano Contadin. Dedicated to Baroque and early viol consort repertoire, Opera Prima provides scholarly authenticity and stylish flair both as accompanists for Forsythe and in the instrumental works on this program.

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