Spanish violinist Cristina Prats Costa presents her debut solo debut album, a vibrant portrait of the sound world of 17th and early 18th century music shaped by the cultures of the Mediterranean. Inspired by Andrea Falconieri’s Il Spiritillo Brando, the album takes the spiritillo – a mischievous, animating sprite – as a metaphor for the Baroque imagination: a realm of …

In 1558, two years after the last Carolingian emperor Charles V had stepped down from power, he realized his death was near and decided to have a rehearsal for his own funeral. This scene provides the starting point for Simon-Pierre Bestion’s imaginative assemblage of chants and hymns demonstrating Arabic influence in Spain, Requiem mass movements, and much more with his …

Founded in 1988, Il Gardellino is a Flemish Baroque orchestra whose name is taken from the virtuosic goldfinch in Vivaldi’s eponymous concerto. What was applied as a playful metaphor almost 40 years ago, now encapsulates the identity of this internationally acclaimed Belgian period instrument ensemble acclaimed for their focus on works by Johann Sebastian Bach and his contemporaries Johann Friedrich …

The third solo album from German pianist Esther Birringer surveys music by 15 different composers, bringing the masters such as Bach, Beethoven, Schubert, and others into dialogue with modern voices like Lera Auerbach, Ludovico Einaudi, and Valentin Silvestrov. “The term spectrum is usually associated with physics: when white light passes through a prism, it breaks into a full rainbow of …

The latest album from countertenor Randall Scotting celebrates Nicolò Grimaldi, the castrato who conquered the opera world under the stage name Nicolini (1673 – 1732). The repertoire features rarely performed arias and duets from the early 18th century, nine of which have never been recorded before and have not been heard since Nicolini’s lifetime. While Nicolini is best remembered today …

Soprano Hannah De Priest, who is on an upward trajectory as a leading interpreter of 17th and 18th century repertoire, caps a breakout season (including performances with Haymarket Opera and Bella Voce, leading roles with Boston Early Music Festival, and debuts with Music of the Baroque and Bach in the City) with her debut solo album. Referencing both Greek mythology …

Marking the 400th anniversary of John Dowland’s death (1563–1626), Los Angeles-based guitarist Joseph Ehrenpreis presents a collection solo pieces by the English composer who bridged the late Renaissance to the early Baroque era. Ehrenpreis arranged Dowland’s music from lute tablature to his 8-string “Brahms Guitar,” an instrument invented by David Rubio and Paul Galbraith in 1994 that uses an endpin …

Rolando Villazón has joins forces with period instrument ensemble L’Arpeggiata and its founder-director Christina Pluhar to present an album inspired by the myth of Orpheus. The recording is based on a conceptual program devised by Pluhar which the artists have also performed live to great acclaim. Villazón sings excerpts from Monteverdi’s Orfeo and operas on the same subject by Gluck, …

A Chinese-German-Finnish trio comprising sheng virtuoso Wu Wei, violist Martin Stegner, and double bass player Janne Saksala perform arrangements of works by Claudio Monteverdi, J. S. Bach, and Antonio Vivaldi with an additional non-Baroque bonus: “Buremarsj frå Beiarn,” a bridal march from Norwegian folk tradition. The sheng, whose history goes back three thousand years, is a free reed polyphonic instrument, …

In 2024, the French harpsichordist Jean Rondeau devoted eight months to recording Louis Couperin: The Complete Works. The monumental project features all his works, plus works selected by Jean Rondeau composed by the masters and students of Couperin. “There is something in the music of Louis Couperin that transcends the instrument and proves inspiring in an absolutely unique way,” says …

Gail Gillispie is one of the pioneers of Chicago’s burgeoning Early Music scene. She founded the Renaissance vocal ensemble The Scholars of Cambrai and has been a member of the Venere Lute Quartet, one of the nations few professional lute ensembles. She has also performed with the Hueglas Ensemble, American Medieval Players, and the Newberry Consort. In her first solo …

Ensemble Galilei is a small ensemble specializing in a wide range of music for their particular instrumentation, and includes Isaac Alderson (uilleann pipes, Irish flute, whistles, tenor saxophone), Jesse Langen (guitar), Kathryn Montoya (recorders, whistle, shawm), Jackie Moran (banjo, bodhrán, egg shaker), and founder Carolyn Surrick (viola da gamba). They celebrate their 35th anniversary with a double-album recorded over the …

With more than 125 concertos to his credit, Telemann was one of the pioneers of this genre that had flowered in Italy. Combining daring, humor, and emotion, he particularly delighted in exploring the virtuosity of the violin, its gift for imitation and its lyricism. Alongside other works of his where the violin also takes center stage, Isabelle Faust and the …

Countertenor Reginald Mobley’s Grammy-nominated (and Opus Klassik award-winning) album Because explored the roots of American music blending jazz, soul, blues, and classical genres. Collaborating with Chicago-based lutenist/guitarist Brandon Acker and double-bass and gamba player Doug Balliet, Mobley’s new album features English lute song by Purcell, Dowland, and Eccles, alongside song arrangements by Virginia-born guitar virtuoso, abolitionist, and composer Justin Holland …

New York City-based period instrument ensemble Sonnambula’s debut album on Avie Records traverses music by several Renaissance composers who were forced to conceal their identities for social, religious, or ethnic reasons. Yet their music transcended the disorder surrounding them, flourishing in the intersection of beliefs and styles. The program features works by William Byrd and Richard Dering, two Catholics composing …

In their newest release, mezzo-soprano Lea Desandre and Jupiter, the ensemble led by lutenist Thomas Dunford, present a collection of vocal and instrumental music by John Dowland and Henry Purcell. Repertoire includes Dowland’s Lachrimae and vocal works from his First and Second Book of Ayres, as well as selections from Purcell’s Dido and Aeneas and The Fairy Queen. Baritone Huw …

Led by gambist/conductor Robin Pharo, the French period instrument Ensemble Près de votre oreille (Close to your ear) makes its debut on the Harmonia Mundi label with a program of sacred vocal work and viol consorts with harp by William Lawes. The brilliant heir to William Byrd and Orlando Gibbons, Lawes wrote contrapuntal 5- and 6-part works of immense complexity …

In the latest installment of their series devoted to British 18th-century music, the musicians of period-instrument ensemble La Rêveuse take us to London 1760. Handel had just died and George III acceded to the throne. During his reign with his queen Charlotte, both discerning musicians, musical life in the British capital was to enjoy an exceptional revival. Virtuosos and composers …

Dido’s famous lament, “When I am laid in earth,” has long featured in Joyce DiDonato’s repertoire – and she has triumphed as the tragic Queen of Carthage in Berlioz’s Les Troyens – but it was in early 2024 that she first performed Purcell’s opera in its entirety. “DiDonato was, as one might expect, magnificent in a role that suits her …

Acclaimed British vocal consort The Gesualdo Six present their tenth album, featuring a collaboration with trumpeter Matilda Lloyd in works by Hildegard of Bingen, Thomas Tallis, James Macmillan, Roxana Panufnik, and others. “From religious processions to military victories, the combination of voices and trumpet has played a prominent role in concerts and ritual for centuries,” says artistic director Owain Park. …

Telemann remains a paradox: the deeper one delves into his oeuvre, the more boundless his legacy seems. The sheer abundance of his orchestral works and concertos seems to grow exponentially with each new publication. Six previously lost overtures from 1736, of which only a single printed copy survives, have unexpectedly resurfaced and are presented here by L’Orfeo Barockorchester. The collection …

Sir Andrew Davis was a talented keyboard player as a child and teenager, and after study with Peter Hurford at St Albans he spent four years at the University of Cambridge as organ scholar at King’s College, under Sir David Willcocks. It was this period of his life that sparked his love for the organ works of J.S. Bach, which …

Founded in 2020 by tenor and lutenist Brian Kay, THEATRO is dedicated to creating memorable theatrical experiences that transport audiences to different eras and places, illuminating the stories of the past. THEATRO’s debut album on Avie Records gathers Renaissance instruments and voices for a program of songs and dances from Shakespeare’s plays.  Shakespeare frequently directed his characters to burst into …

Following up on her critically acclaimed recording of Heinrich Ignaz Franz von Biber’s Rosary Sonatas, violinist and musical director Rachel Podger—“the unsurpassed British glory of the baroque violin” (The Times)—leads Brecon Baroque on Just Biber, an album of sonatas from Biber’s 1681 collection Sonatæ Violino Solo and his theatrical Sonata Representivo. These works are extremely virtuosic, with extensive multiple stopping …

In the summer of 1717, after performing his Water Music during a royal cruise on the Thames, Handel began composing for James Brydges (1674-1744), who became the first Duke of Chandos and created the Cannons Concert at his estate in Cannons. Handel composed eleven anthems and a Te Deum for him, as well as transposing and revising As pants the …