Pianist Idith Meshulam Korman and the Oxford Philharmonic Orchestra, led by Cayenna Ponchione-Bailey, present the first complete modern recording of the surviving keyboard music of Marianna Martines (1744–1812): a composer, keyboard virtuoso, and cultural force in eighteenth-century Viennese musical life. Admired in her lifetime for her brilliance as both performer and composer, Martines occupied a central position within the city’s elite musical circles, yet her instrumental music has remained largely absent from the recorded canon. This two-disc album brings together Martines’s four surviving keyboard concertos, three sonatas, and her Sinfonia in C major, recorded from newly prepared critical editions. The works reveal a composer writing ambitiously for public performance, combining lyrical vocal writing with striking technical demands, orchestral imagination, and playful formal subversion. Idith Meshulam Korman has dedicated her career to the study of the keyboard music of Martines and with this release she restores Martines’s keyboard music to the classical canon as a vital and compelling body of work.