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Semyon Bychkov: Tchaikovsky’s Manfred Symphony

September 17, 2017, 9:00 am

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Russian conductor Semyon Bychkov and the Czech Philharmonic’s recording of Tchaikovsky’s Manfred Symphony is released as Volume 2 in The Tchaikovsky Project, their recording cycle on Decca Classics that will encompass the composer’s complete symphonies and piano concertos, as well as selected orchestral works.

Mexican Soundscapes

September 16, 2017, 7:00 pm

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Together with Brazil and Cuba, Mexico is one of the powerhouses of Latin American music. With roots in the native cultures as well as in the Colonial period, Mexican music shows an extraordinary vitality and a variety of colors and soundscapes.

Playlist

Paisajes Mexicanos, by Carlos Chávez
The State of Mexico Symphony Orchestra, Enrique Bátiz (conductor)

Chichen Itzá (Symphonic Poem), by María Teresa Prieto
Orchestra of Córdoba, José Luis Temes (conductor)

Tierra de Temporal, by José Pablo Moncayo
National Symphony Orchestra of Mexico, Sergio Cárdenas (conductor)

Cuauhnáhuac, by Silvestre Revueltas
The State of Mexico Symphony Orchestra, Enrique Bátiz (conductor)

Baile, by Carlos Chávez
The State of Mexico Symphony Orchestra, Enrique Bátiz (conductor)

Maria Callas ‐ Gone Now For Forty Years Today

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Gone but hardly forgotten after four decades, La Divina is heard in arias that recall her unique artistry. Besides La Vestale, Norma, and Tosca, we hear Callas accompanying herself in her final recording, “Ah, Perfido!” by Beethoven.

Playlist

Spontini: La Vestale, “O Nume Tutelar”
Maria Callas with the Orchestra of La Scala, Milan
Conducted by Tullio Serafin
Recorded in Milan in 1955
EMI 7243 5 66457 2 1

Bellini: Norma, “Casta Diva”
Maria Callas with the Chorus and Orchestra of La Scala, Milan
Conducted by Tullio Serafin
Recorded in Milan in 1961
EMI CDM 7 63182 2

Puccini: Tosca “Mario! Mario! Mario!”
Maria Callas and Carlo Bergonzi with the Orchestre de la Societe des Concerts du Conservatoire Conducted by Georges Pretre
Recorded in Paris in 1965
EMI 7243 5 66666 2

Beethoven: “Ah, Perfido!”
Maria Callas, self‐accompanied
Recorded in Paris 1976
CALA GL 320

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Mariachi Herencia de México: A Mexican Independence Day Celebration

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On Saturday’s broadcast, we celebrate Mexican Independence Day with a program featuring Mariachi Herencia de México, a mariachi ensemble made up of pre-college students from Chicago’s immigrant barrios. The majority of the musicians in the ensemble are classically trained. The group’s debut album, Nuestra Herencia, released in May and hit #2 on iTunes’ Latin chart. The album is believed to be …

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Sir Peter Hall

September 15, 2017, 11:00 pm

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Tonight the BEST OF STUDS TERKEL remembers Sir Peter Hall, whose career as a respected and ground-breaking director of theatre and opera spanned more than 50 years.  This program was recorded at WFMT in 2003 when directed Mozart’s the Marriage of Figaro for the Lyric Opera of Chicago. Early in the hour, Studs shares an excerpt from their first interview …

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The (R)evolution of Steve Jobs

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Steve Jobs

Composer Mason Bates brings Steve Jobs life story to the stage in Santa Fe Opera’s production of The (R)evolution of Steve Jobs. The opera combines expressive electronics with electric guitar, Bates’ signature rich orchestration and sleek lighting design for a truly modern experience.

Playlist

Dark Interlude and Scene 13
Santa Fe Opera

Scene 5
Santa Fe Opera; Sarah Coit; Edward Parks; Wei Wu; Otogawa Garrett Sorenson; Jessica Jones

Scene 3
Santa Fe Opera; Edward Parks; Wei Wu

Prologue (Paul’s aria)
San Francisco Conservatory of Music; Kelly Markgraf; Robert Tweten; Mason Bates; James Moore

Scene 6 (Chrisann aria)
San Francisco Conservatory of Music; Jessica Jones at San Francisco Conservatory of Music

Scene 2
San Francisco Conservatory of Music; Sarah Coit; Edward Parks

Overture and Scene 1

Santa Fe Opera

Scenes 3-4 (Reed College)
San Francisco Conservatory of Music; Wei Wu

Scene 8 (Stanford)
San Francisco Conservatory of Music; Edward Parks; Sarah Coit

Scene 16 (Humans are Messy aria)
San Francisco Conservatory of Music; Edward Parks; Sarah Coit

Scene Walking Interlude
San Francisco Conservatory of Music

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Joanne Polk: Gershwin & Wild

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Joanne Polk turns her attention to an important early 20th-century composer and pianist, Earl Wild. In addition to a busy career as a solo and orchestra pianist, Wild was also a composer and arranger, known in particular for his transcriptions of the music of George Gershwin. Polk’s new album features many of these transcriptions as well as an original Wild composition.

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Dvorak: Stabat Mater

September 14, 2017, 9:00 am

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Following his recent return as music director, Jiří Bělohlávek and the Czech Philharmonic Orchestra present a new recording of Dvořák’s Stabat Mater. Praised by the Guardian for their unbounded lyricism and Czech melancholy as well as authenticity that only this orchestra can bring, Bělohlávek and the CPO are joined by four leading soloists.

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Il Giardino Armonico: Baroque Trio Sonatas

September 13, 2017, 10:00 pm

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Il Giardino Armonico’s many fine studio recordings of Bach, Handel, Vivaldi, and other Baroque masters are well-known to WFMT listeners. On this edition of Baroque&Before, we have the rare opportunity to hear Il Giardino Armonico in a concert of trio sonatas. Recorded live in concert during 2013 March Music Days International Festival in the Concert Hall in Ruse, Bulgaria’s fifth …

Playlist

Giovanni B. Fontana (1571-~1630)
Trio Sonata, for three violins and basso continuo

Tarquinio Merula (~1595-1665)
Chaconne

Johann Heinrich Schmelzer (~1623-1680)
Trio Sonata in D, for three violins and basso continuo

Georg Philipp Telemann (1681-1767)
Trio Sonata in F, for two chalumeaux, violin and basso continuo

Antonio Vivaldi (1678-1741)
Trio Sonata No. 12 in D minor, RV 63 (‘La Follia’)

H.I.F. von Biber (1644-1704)
Partita VI in D, from ‘Harmonia artificioso-ariosa: diversi mode accordata, C. 67’ (1696)

Georg Philipp Telemann (1681-1767)
Allegro, from ‘Recorder Concerto in C, TWV 51:C1’ (encore)

PERFORMERS
Il Giardino Armonico
Giovanni Antonini, Director, flautino, chalumeau
Tindaro Capuano, chalumeau
Stefano Barneschi, Marco Bianchi, Liana Mosca; violin

Opening Theme for Baroque&Before:
Joan Ambrosio Dalza: Piva, performed by Musica Reservata (Boston Skyline BSD 123)

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Gaudete Brass with Red Star Brass at Pritzker Pavilion, Millennium Park

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Gaudete Brass

Join us live from the Pritzker Pavilion at Millennium Park for the IMF Chicago Dame Myra Hess Memorial Concert with the Gaudete Brass and  Red Star Brass performing music of Paul Hindemith, Stacy Garrop, Anthony Plog and Gabrieli.

Playlist

Gaudete Brass
Bill Baxtresser, Trumpet
Charles Russell Roberts, Trumpet
Phil Kassel, French Horn
Paul Von Hoff, Trombone
Scott Tegge, Tuba

Red Star Brass
Mark Haworth, Trumpet
Sam Veren, Trumpet
Sarah Burgstahler, French Horn
Matt Martin, Trombone
Chris Smith, Tuba

Morgenmusik (6’)
I. Mäßig bewegt
II. Lied
III. Bewegt
Paul Hindemith (1895 – 1963)

Selections from Legends of Olympus (10’)
II. Aphrodite
III. Hermes
Stacy Garrop (b. 1969)

Canzon in echo duodecimi toni à 10 (5’)
Giovanni Gabrieli (c.1554/1557 – 1612)

Antiphonies (15’)
Anthony Plog (b. 1947)

FROM THE IMF WEBSITE

Since 2004, the Gaudete Brass Quintet has committed itself to presenting serious brass chamber music through compelling concerts, commissioning new works and adventurous recordings. The group has engaged in live performances at venues such as Merkin Hall and Symphony Space in New York City and Millennium Park in Chicago, commissioned new works from noted composers such as David Sampson, Jonathan Newman, John Cheetham, Steven Bryant and Stacy Garrop, and appeared on radio broadcasts on WFMT in Chicago and Nashville Public Radio.

While keeping this rigorous performance schedule, Gaudete has recorded four albums: Brass Outings (2006), winner of the CDBaby Editors’ Choice distinction and nominee for Just Plain Folks Best Classical Chamber Album; Conversations in Time with organist R. Benjamin Dobey (2011, Pro Organa); Chicago Moves, produced by Grammy winner Judith Sherman and featuring several of its commissioned works (2012, Cedille Records) and sevenfive (2017, Cedille Records) featuring five new works commissioned for Chicago’s John Corigliano 75th birthday festival.

The quintet has also presented educational programs and concerts at prominent institutions including The Juilliard School, Eastman School of Music, and Arizona State University and starting in the fall of 2013 the GBQ has joined Roosevelt University’s Chicago College of Performing Arts faculty as ensemble-in-residence. Gaudete (gow-day-tay) is a form of the Latin word for “Joy.” We support the idea that chamber music, even (and perhaps especially) the serious kind, can powerfully communicate both the poignant and the exuberant. To learn more about the Gaudete Brass, please visit

Red Star Brass is a professional chamber ensemble based in the Chicagoland area. Originally formed while studying at DePaul University, Red Star has become one of Chicago’s premiere brass quintets. From its inception, Red Star has been determined to deliver the quality of a classically trained chamber group without pretense.

Red Star Brass first brought its bold sound to the Lincoln Station Bar, sparking partnerships with groups throughout Chicago’s music scene. Red Star went on to found the Kitchen Sink Urban Chamber Series, a music series taking classical music to Chicago’s urban landscape with innovative programming spanning all genres. Equally at home in both beer halls and concert halls, Red Star is changing the expectations of a brass quintet. Shows at venues such as The Tonic Room, St. Clement’s Cathedral, and the Kitchen Sink Cafe showcase Red Star’s appetite to push the boundaries of performance practice for the brass quintet.

In addition, Red Star Brass has a strong desire to reach out to the next generation of brass players. Red Star has led masterclasses and performances for schools throughout the Chicagoland area including Loyola University, Morton College, the Wolcott School as well as Glenbard East High School’s Band Boot Camp.