Guitar (ca. 1630–50) attributed to Matteo Sellas
From Rome to Paris to the Madrid of the 17th- and early 18th centuries, Pierre Pitzl, playing Baroque guitar, presents a program of early baroque dances by Robert de Visée, Gaspar Sanz, and others.
Recorded live in concert in the Zadní Synagoga, in Třebíč, Czech Republic, as part of the Concentus Moraviae Festival, held in cooperation with the Austrian Cultural Forum in Prague and the Sankt Pölten Baroque Festival.
Playlist
Francesco Corbetta (1615-1681)
Corrente from Varii scherzi
Ferdinando Valdambrini (fl. 1646-47)
Capona from Intavolatura di Chitarre
Francesco Corbetta
Caprice de Chacone from La Guitarre Royale
Robert de Visée (~1655-~1733)
Livre de Guitarre (Excerpts): Prélude, Allemande, Courante, Sarabande, Gigue, Passacaille, Bourée
Francisco Guerau (1649-1722)
Poema Harmonico (Excerpts): Canario, Passacaglia, Marionas
Cifras selectas de guitarra: Tarantellas, Zarambeques
Gaspar Sanz (1640-1710)
Canarios
Instrucción de Musica: Paradetas: Passacaglia, Villano, Españoletta, Tarantella, Chacona, Matachin
ARTIST
Pierre Pitzl, Baroque Guitar
Opening & Closing Theme for Baroque&Before:
Joan Ambrosio Dalza: Piva, performed by Musica Reservata (Boston Skyline BSD 123)