Lucie Horsch & Baroque Classics

January 22, 2020, 10:00 pm

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Dutch recorder player Lucie Horsch (Photo: Superbass, CC BY-SA 4.0, cropped, via Wikimedia Commons)

Young Dutch recorder-player Lucie Horsch is already in demand internationally as a soloist and, with a critically acclaimed solo album to her name, has launched what promises to be a distinguished career. We hear her tonight, joined by Richard Egarr and the Academy of Ancient Music, in a program of concertos and transcriptions by Bach, Vivaldi, and Sammartini that explore the full emotional gamut of baroque music.

Tonight’s program, recorded live in concert February 26, 2019, at West Road Concert Hall, Cambridge, England, will be available as a stream for 30 days following the broadcast. A blue “Listen” button will appear when the stream is accessible.


Giuseppe Sammartini (1695-1750)
Recorder Concerto in F

Johann Sebastian Bach (1685-1750)
“Erbame dich” from St Matthew Passion, BWV 245
arranged for recorder

Johann Sebastian Bach
Harpsichord Concerto No. 3 in D, BWV 1054

Antonio Vivaldi (1678-1741)
Flautino Concerto in C, RV 204, op. 4/11
transposed to G Major)

Antonio Vivaldi
Flute Concerto in G minor, RV 439 (‘La notte’)

Johann Sebastian Bach
Harpsichord Concerto No. 7 in G minor, BWV 1058
arrangement of Violin Concerto in A minor, BWV 1041

Johann Sebastian Bach
Oboe Concerto in D minor, BWV 1059
arranged for recorder

Johann Sebastian Bach
“Badinerie” from Suite No.2 in B minor BWV 1067 (encore)

Lucie Horsch, recorder
Academy of Ancient Music, Richard Egarr, conductor & harpsichordist