Jordi Savall

Playlist

Anon: Calling of the Bells and Fanfare

John of Damascus: “Alleluia”

Anon: Erotokritos

Marcabru: “Pax in nomine Domini!“

Trad: Dance of the Soul, from the North African Berber Ritual

Anon: Ton Dhespotin, from the Sunday Service of Orthros

Trad: Armenian Song and Dance

Conductus: “O totius Asie Gloria”

Anon: “Pasan tin elpida mou”

Anon: Chiave, chiave

Anon: Adoramus te, from the Mass Proper

Anon: “Tin dheisin mou”

Trad: Nikriz

Dufay: “O tres piteulx” / “Omnes amici eius”

Janequin: Escoutez tous gentilz” (La bataille de Marignan; La guerre)

S. Rossi: “Al naharot bavel,” from Hashirim asher lish’lomo

Willaert: “Vecchie letrose, non valete niente”

Kladas: Yefvsasthe kai idhete, from the Holy Eucharist

Lobwasser: “Ficht wieder meine Anfechter” (Psalm 35), from Der Psalter … in deutsche reyme (arr. Claude Goudimel)

Trad: Laïla Djân

Monteverdi: Il combattimento di Tancredi e Clorinda

Vivaldi: “Di queste selve venite, o Numi,” from La senna festeggiante, RV 693

Mozart: Rondo alla turca from Piano Sonata in A Major, K. 331 (arr. Jordi Savall)

Byzantios: Kratema

Marchant: “Nous sommes tous égaux,” from La constitution française en chanson (arr. Jordi Savall)

Anon: “Per quel bel viso,” from A Second Set of Venetian Ballads for the German Flute, Violin, or Harpsichord compos’d by Sigr. Hasse and All the Celebrated Italian Masters (Gondolier Song; arr. Jordi Savall)

Anon: “Mia cara Anzoletta,” from A Second Set of Venetian Ballads for the German Flute, Violin, or Harpsichord compos’d by Sigr. Hasse and All the Celebrated Italian Masters (Gondolier Song; arr. Jordi Savall)

Bordèse: “La Sainte Ligue” (“La nuit est sombre”), after Beethoven Symphony No. 7 and Symphony No. 5, from L’Orphéon classique populaire, fragments des chefs d’oeuvre des grand maîtres (arr. Jordi Savall)