A genuine masterpiece inspires musicians to adopt, adapt, or transcribe it without losing any of its greatness. Period-instrument ensemble Nevermind (Anna Besson, flute; Louis Creac’h, violin; Robin Pharo, viola da gamba; and Jean Rondeau, harpsichord and organ) has taken a creative look at Bach’s famous Goldberg Variations and made their own stylishly insightful “variations” on the work.

As they themselves explain: “We needed only an informal rehearsal to grasp the incredible potential of a transcription for our ensemble. There have been other arrangements, but nobody has ever attempted this one before now, even though our instruments are among those most typically used in J.S. Bach’s chamber music, in his many solo sonatas for flute, violin or gamba with bass continuo and obbligato harpsichord – and they also frequently feature in the arias of his cantatas and Passions.”