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Felix Klieser’s recital of Scandinavian works featuring the horn reminds us that its Scandinavian ancestor was the lur, a natural horn dating back to the Bronze Age. Anachronistically speaking, the lur resembled a shower head, illustrative of just how far our modern day double horn has evolved. Klieser, born without arms in 1991, furthers this evolution, adapting himself to the instrument and the instrument to his unique capabilities.

Candice AgreeHost

In his new Scandinavia-centric album, Felix Klieser and the German Radio Philharmonic Orchestra, led by Jamie Phillips, present two contemporary concertos for horn and orchestra. Soundscape – A Walk in Colours by Swedish composer Rolf Martinsson (b. 1956) was commissioned for Felix Klieser and was premiered in 2022. Martinsson describes Soundscape as a single-movement concerto divided into five distinct sections, beginning with a dramatic opening that transitions into a slower section, where the soloist and orchestra engage in a thematic dialogue. The music shifts into a tranquil soundscape before launching into a long aria for horn in the fourth section, and a return to the dramatic opening themes in the fifth.

The second centerpiece concerto is by another Swedish composer, Kurt Atterberg (1887-1974). The work is characterized by late-Romantic melodies and virtuoso passages in the high register of the instrument.

Two short, crowd-pleasing Nordic selections round out the album: Solveig’s Song by Edvard Grieg and Sibelius’s The Swan of Tuonela, originally scored for English horn soloist, but translated by Klieser for his own instrument.

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