On his new album Canadian virtuoso pianist Jan Lisiecki brings the diverse sounds of the prelude to life, illustrating the genre’s potential to be more than just a curtain-raiser to something else. Frédéric Chopin’s extraordinary 24 Preludes Op. 28 are inspiration and centerpiece of this recording. For Lisiecki, Chopin was a “master of the short form” who “brought the prelude out of the shadows and into the spotlight”. Chopin’s pieces are complemented and contrasted with selected preludes by other composers from across three centuries, each representing a pinnacle of achievement in the genre – from Bach, Messiaen, Rachmaninoff to Górecki. Lisiecki seeks “to showcase the broad possibilities of the humble prelude” that takes “the audience on a musical expedition” through these kaleidoscopic miniatures.

For those who demand a beginning, a middle, and an end in works of art, music, literature, etc., an album of preludes, nothing but preludes seems, well, unfinished. Preludes to what? Pianist Jan Lisiecki answers the skeptic with preludes by Bach, Górecki, Rachmaninoff, and Messiaen. Lisiecki gives Chopin, via his opus 28 Preludes, the last word in beginnings.
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