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40-year-old French conductor Raphaël Pichon has built a reputation on unique programming and stylish interpretations of 17th- and 18th-c. vocal works, but in the end, may be regarded as a peerless Bach specialist. While there are already many recordings of the B Minor Mass, I knew Pichon would find a way to surprise me with new details and the full spectrum of sounds he can elicit from the musicians who regard him as a visionary.

Oliver CamachoMusic Director

Raphaël Pichon and his ensemble Pygmalion mark their 20th anniversary with a new recording of Bach’s Mass in B minor, a work that has been central to the group’s repertoire. Having first performed the piece in 2013 and revisited it regularly since, Pichon now presents a recording shaped by over a decade of performance experience with a close-knit group of musicians. The vocal soloists are soprano Julie Roset, mezzo-soprano Beth Taylor, contralto Lucile Richardot, tenor Emiliano Gonzalez Toro, and bass-baritone Christian Immler. Pichon has a long-standing fascination with the work and its details. He notes that the Mass was written over the course of 25 years, beginning in 1724 as a simple Sanctus evolving to a full 27 movement Missa tota in 1749 – just a year before his death. “It’s the story of the whole of humanity in two hours of music” says Pichon.

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