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The hallmark “vermischter Geschmack (mixed taste)” of the late German Baroque is what makes this album so delicious. You can hear the influence of Lully’s dance rhythms and overture form as well as tuneful, expressive melodies commonly associated with Vivaldi and Alessandro Scarlatti. Its inventive orchestration (oboes, recorders, horns all comingling) characterizes this music as distinctly German  – a characteristic Telemann shared with J.S. Bach.

Oliver CamachoMusic Director

Telemann remains a paradox: the deeper one delves into his oeuvre, the more boundless his legacy seems. The sheer abundance of his orchestral works and concertos seems to grow exponentially with each new publication. Six previously lost overtures from 1736, of which only a single printed copy survives, have unexpectedly resurfaced and are presented here by L’Orfeo Barockorchester. The collection features an assortment of Baroque dance forms interspersed with exotic elements such as the Polonaise and Mourky, imaginative character sketches, and various fashionable pieces, all presented in a kaleidoscope of orchestral colors.

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