Share this Post

Reginald Mobely has never recorded, perhaps never even sung, anything mediocre. This album is a beautiful recital of works mostly from the renaissance and baroque eras, but enhanced by some 19th century works accompanied by guitar and double bass. Lutenist/guitarist Brandon Acker and double bassist/viola da gambist Doug Balliet are perfect collaborators here for Mobely’s wistful voice, in a remarkably moving collection of music.

Weston Williams

Countertenor Reginald Mobley’s Grammy-nominated (and Opus Klassik award-winning) album Because explored the roots of American music blending jazz, soul, blues, and classical genres. Collaborating with Chicago-based lutenist/guitarist Brandon Acker and double-bass and gamba player Doug Balliet, Mobley’s new album features English lute song by Purcell, Dowland, and Eccles, alongside song arrangements by Virginia-born guitar virtuoso, abolitionist, and composer Justin Holland (whom Mobley describes as ‘a spiritual successor to Dowland’). The centerpiece is a sequence of songs on texts by African American haiku poet Crystal Simone Smith which explore “the indomitable resilience contained in the tale of a runaway slave,” composed by Jonathan Woody and Douglas Balliett.

Similar Releases

  • Headshot of composer Shawn E. Okpebholo, smiling with arms crossed in front of a grey background
    Songs in Flight
    Karen Slack, Rhiannon Giddens, Reginald Mobley, Paul Sánchez, Julian Velasco, Will Liverman
  • Mischa Zupko: Harpsichord Concerto (EP)
    Jory Vinikour, string quartet
  • Brahms: Ein deutches Requiem (Live)
    Ken-David Masur, Milwaukee Symphony Chorus and Orchestra
  • Hourglass
    Baroklyn, Simone Dinnerstein
  • Élégance: French music for flute and harp
    Juliette Hurel, Isabelle Moretti
  • Once Heard, Long Forgotten
    Jinwoo Lee, Eunice Kim