Opera Prima’s second album with soprano Amanda Forsythe features two early works by a young Handel—Armida abbandonata (1707) and Agrippina condotta a morire (1708)—as well as a trio sonata, sinfonia, and selections from his oratorio Il trionfo del tempo e del disinganno. Highly sought-after for her interpretations of Handel, Forsythe is acclaimed for her agile coloratura, exquisite breath control, and …

UnderStories is a Baroque ensemble consisting of only bass instruments inspired by the botanical term “understory,” referring to the layer of plants that grow in the shade of the canopy of a forest. Founded in 2018, the group focuses on exploring the rise of the cello as a solo instrument, and especially the repertoire for two concertante cellos in the …

For the ensemble’s tenth commercial album, New York Polyphony has assembled a program of Renaissance compositions by William Byrd and Orlando Gibbons, ingeniously complemented by 20th and 21st century works composed in the same timeless spirit – often by composers with personal and collaborative ties to New York Polyphony. The album’s evocative title comes from the text of a poem …

The Berlin Academy for Ancient Music presents a recording of the first six Concerti grossi, Op. 6 by the composer, ensemble leader and violin virtuoso Arcangelo Corelli, who received the almost cult-like reverence during his lifetime. The composer had been experimenting with this one of the most distinctive forms of instrumental music of the Baroque era since the late 1670s, …

This new album featuring two rising star countertenors Carlo Vistoli and Hugh Cutting. Accompanied by Les Arts Florissants, conducted by William Christie, the program centers Baroque arias and duets for two altos by composers such as Monteverdi, Caldara, Bononcini, and Vivaldi. The album’s release marks a significant milestone in Cutting’s career, following his recognition as the first countertenor to win …