From the Prinzregententheater in Munich, Germany, we hear a production of Verdi’s I Lombardi alla prima crociata with the Munich Radio Opera, featuring Galeano Salas as Arvino, Andreas Burkhart as Acciano, Nino Machaidze as Giselda, and Réka Kristóf as Viclinda.
Mazzola speaks with WFMT general manager George Preston about returning to live performance, Giuseppe Verdi’s Macbeth, Gaetano Donizetti’s The Elixir of Love, and what he loves most about being a Chicagoan.
A Verdi and bel canto expert, Lyric’s new music director Enrique Mazzola will open the season with Verdi’s Macbeth and Donizetti’s The Elixir of Love, while also conducting contemporary opera Proving Up by Missy Mazzoli later in the season.
Among the canceled 2021 productions are Donizetti’s The Elixir of Love, Mozart’s The Marriage of Figaro; and Stravinsky’s The Rake’s Progress, as well as a concert tribute to music director Sir Andrew Davis, who concludes his 20-year tenure at the end of this season.
Audiences will be irate this weekend at the Siskel Center. No, not the people in the theater, but the onscreen audiences portrayed in In the Mouth of the Wolf. The made-for-TV documentary depicts the infamously fanatical opera culture of Parma, Italy through the lens of a troubled production of Verdi’s Luisa Miller.
“You have to know that I am a very curious musician…” said Enrique Mazzola, wearing his trademark red glasses. In September, the Italian conductor was appointed Lyric Opera of Chicago’s music director designate.
There are baritones, and then there are Verdi baritones. They are the elite performers, athletes among baritones, thrilling their fans with blazing top notes and plumbing the depths of some of the most dramatically complex roles in opera.