Ancient Babylon comes to life in a classic Met staging of biblical proportions.

Verdi’s epic opera combines love, war, religion, and fate, and is sung by a stellar cast including Sondra Radvanovsky, Brian Jagde and Etienne Dupuis, conducted by Mark Elder.

Cellist Sheku Kanneh-Mason and soprano Lise Davidsen join conductor Marin Alsop and the BBC Symphony Orchestra and Chorus for the celebratory conclusion of the 2023 Proms.

What does one of the grandest artforms look like on the big screen? Check out some of our favorite portrayals of opera in the movies.

Verdi’s Attila takes us to the mid-5th century near Rome following Attila, King of the Huns.

From the Prinzregententheater in Munich, Germany, we hear a production of Verdi’s I Lombardi alla prima crociata with the Munich Radio Opera, featuring Galeano Salas as Arvino, Andreas Burkhart as Acciano, Nino Machaidze as Giselda, and Réka Kristóf as Viclinda.

Featuring soprano Angela Meade, mezzo-soprano Lilli Paasikivi, tenor Russell Thomas, and bass-baritone Eric Owens.

Bumbry was among the winners of the 1958 Met National Council Auditions. She had a recital debut in Paris that same year and made her Paris Opéra debut in 1960.

Next year’s lineup of six mainstage operas offers choices for traditional and contemporary opera fans alike.

Dazzling soprano Angel Blue stars as Violetta in Verdi‘s stirring romantic tragedy. Nicola Luisotti conducts the Met Opera Orchestra and Dmytro Popov (Alfredo) and Artur Ruciński (Giorgio).

Giuseppe Verdi’s ever-popular masterpiece returns for a performance starring Lisette Oropesa, Aigul Akhmetshina, Stephen Costello, and Luca Salsi in the title role, with Speranza Scappucci conducting.

A survey of great tenors known for their interpretations of Verdi. Russell Thomas stars the title role Verdi’s Ernani which opens the 2022-23 season of Lyric Opera of Chicago.

The version is largely based on the 1867 rehearsals and Paris Opéra premiere, including long-lost sections rediscovered in the late 1960s by David Rosen and Andrew Porter.

Plus a world premiere, Chicago-set take on ‘The Barber of Seville’ and the return of ‘West Side Story’

Music director Riccardo Muti will conduct music by Beethoven, Price, Glass, and Montgomery while welcoming guest artists like Anne-Sophie Mutter, Leif Ove Andsnes, and Mitsuko Uchida.

Mazzola speaks with WFMT general manager George Preston about returning to live performance, Giuseppe Verdi’s Macbeth, Gaetano Donizetti’s The Elixir of Love, and what he loves most about being a Chicagoan.

Matthew Polenzani, one of the artists performing at the Met’s Verdi Requiem commemorative concerts on the 20th anniversary of September 11, 2001, reflects on why music can help us heal.

The CSO announces an array of concerts from September to January.

A new documentary charts the rise of Metropolitan Opera Music Director Yannick Nézet-Séguin from a school stage to chief conductor at one of the world’s great opera houses.

Chicago native soprano Ailyn Pérez speaks to us about some of her favorite Latin American and Spanish music and shares a playlist of influential singers and music.

A Verdi and bel canto expert, Lyric’s new music director Enrique Mazzola will open the season with Verdi’s Macbeth and Donizetti’s The Elixir of Love, while also conducting contemporary opera Proving Up by Missy Mazzoli later in the season.

WFMT host Candice Agree has selected some of her favorite works of literature that have inspired musical compositions for you to enjoy on World Book Day.

Among the canceled 2021 productions are Donizetti’s The Elixir of Love, Mozart’s The Marriage of Figaro; and Stravinsky’s The Rake’s Progress, as well as a concert tribute to music director Sir Andrew Davis, who concludes his 20-year tenure at the end of this season.

Could this ‘Rigoletto’-inspired video game be help bring kids into opera?

Audiences will be irate this weekend at the Siskel Center. No, not the people in the theater, but the onscreen audiences portrayed in In the Mouth of the Wolf. The made-for-TV documentary depicts the infamously fanatical opera culture of Parma, Italy through the lens of a troubled production of Verdi’s Luisa Miller.