"The Shape of Water" | Alexandre Desplat | Emmanuel Pahud, f; Myriam Lafargue, acc; French National Orch/Alexandre Desplat | Airlines
"The Shape of Water" | Alexandre Desplat | Emmanuel Pahud, f; Myriam Lafargue, acc; French National Orch/Alexandre Desplat | Airlines
Home | Latonia Moore
Terence Blanchard’s stirring drama returns following its landmark company premiere in 2021, with bass-baritone Ryan Speedo Green starring as Charles.
Follow live on Sunday, February 4, as music’s biggest awards are given out!
Starring Joyce DiDonato and Ryan McKinny, Yannick Nézet-Séguin conducts this landmark premiere of the most widely performed new opera of the last 20 years.
Peruse the hopefuls for classical, jazz, soundtrack, and more!
“It is rare, not only for a male singer who’s not a tenor, but especially a bass-baritone to be able to do this kind of concert with an orchestra like the Chicago Philharmonic.”
Bass-baritone Ryan Speedo Green is the young boxer Emile Griffith, who rises from obscurity to become a world champion.
This year’s Grammys, the 65th annual ceremony, takes place on Sunday, February 5.
The Recording Academy announced its 2023 Grammy nominations on November 15, 2022.
The staging follows the success of the composer Terence Blanchard’s Fire Shut Up in My Bones on the opening night of this season.
A Verdi and bel canto expert, Lyric’s new music director Enrique Mazzola will open the season with Verdi’s Macbeth and Donizetti’s The Elixir of Love, while also conducting contemporary opera Proving Up by Missy Mazzoli later in the season.
It’s been a strange, difficult year for the music world, which is all the more reason to celebrate musical excellence.
Star tenor Lawrence Brownlee’s new Facebook Live series aims to change the face of the industry through interviews with other Black opera singers and advice for aspiring Black opera singers, Brownlee explains.
Latonia Moore, Eric Owens, Lise Davidsen, J’Nai Bridges, and Leah Hawkins are scheduled to perform, the company said Wednesday, along with the Alvin Ailey American Dance Theater.
More than 60 years after Marian Anderson broke the color barrier at the Met, Black singers still face unique obstacles within the opera industry. “We’ve made some strides, but not a whole lot,” said Professor Naomi Andre.
The Metropolitan Opera will hire an all-black outside chorus next season for its first presentation in nearly three decades of the Gershwins’ Porgy and Bess.