The festival, which is dedicated to presenting seldom-performed Italian opera titles, shares a two-program slate in June and July.

“This is a tra-ge-dy. It’s not going to go right in the end. And that’s hard.”

Sanders was the last active member of the legendary Frank Miller-helmed CSO cello section.

As we look forward to the festivities, we have compiled some of Chicago’s most enticing holiday offerings!

The Cleveland-based Baroque orchestra made its Chicago debut in 2016 and has since established a strong presence in the city.

One of Chicago’s most notable and dynamic ensembles has announced its upcoming season.

Including an all-women lineup of respected pianists.

Harnick was born and raised in Chicago and earned a bachelor’s degree in music from the Northwestern University School of Music after serving in the army during World War II.

Bumbry was among the winners of the 1958 Met National Council Auditions. She had a recital debut in Paris that same year and made her Paris Opéra debut in 1960.

The new company launches with fully staged works by Puccini and Wolf-Ferrari, plus a concert inspired by Dante’s Divine Comedy.

WFMT observes the 50th anniversary of the first Earth Day with a fitting broadcast: Chicago composer Stacy Garrop’s oratorio Terra Nostra, which celebrates our planet and explores the relationship between humankind and the natural world.

A four-hour drive southwest from Chicago and just across the Mississippi River from St. Louis sits Edwardsville, Illinois. The small city — founder Chase Hopkins’ hometown — is the site of the state’s newest opera company.

Marching bands are art in motion. But you have to see the intricate formations – moving images, clever phrases, and more – to truly believe their artistic capabilities.

“It has been said that a society can be judged by the way it treats its animals,” composer David T. Little says in the program notes for his chamber opera, Dog Days. Based on a short story by Judy Budnitz, the opera is set in a war-torn future that’s not too far away from our own time.

Though Northwestern’s band program dates back to 1911, the Symphonic Wind Ensemble began in 1969.

One of the world’s leading classical ensembles, joined WFMT for a Facebook Live at Northwestern University’s Galvin Recital Hall and shared their experience as classical musicians in the digital age.

In her commencement address, “the people’s diva” focused on an overarching theme: use your voice. “Find your voice, develop and care for it, and make it heard for years to come.”