Stories
Tenor Matthew Polenzani reflects that “there are definitely pieces where what’s required dramatically in a hall of 4,000 seats is different from what’s required dramatically on a screen.”
Stephen RaskauskasSeptember 5, 2017
Stephen RaskauskasAugust 30, 2017
Keegan MorrisJanuary 16, 2020
It's Baroque opera, minus the sobriety. The serious operas of Handel and Gluck get the parody treatment in this excerpt from the 1737 opera The Dragon of Wantley performed by Haymarket Opera Company!
Keegan MorrisJanuary 15, 2020
On January 15, violinist Stephen Kim and pianist Ilya Friedberg shared the Chicago Cultural Center stage for a concert of passionate, dynamic music by two Romantic composers: Ernest Chausson and Johannes Brahms.
Playlists
Angelica LasalaAugust 23, 2017
Frédéric Chopin’s Étude Op. 10, No. 4 and Prelude Op. 28, No. 16 are notorious for being among the composer’s most challenging works to play. And when pianist Aldric Gozon learned these two pieces, he didn’t stop at getting the notes right – he played both blindfolded. Chopin wrote Étude Op. 10, No. 4 in 1830 as part of his ...
Angelica LasalaAugust 22, 2017
Learn about some of Chopin's signature compositions: his most important nocturnes.
Adela SkowronskiAugust 22, 2017
Though Chopin did not compose many works for piano and orchestra — just six! — he kept them in his concert repertoire throughout his career.













