Jamie Barton: Opera Must “embrace the move towards feminine power”

WFMT talks with the outspoken mezzo-soprano about what it means to take on the role of Carmen, why she’s excited to open the COT season, and how modern-day audiences and artists can best confront the more outdated aspects of Carmen and other beloved operas.

Behind the Scenes: Artists Share & Sing at Rehearsals for Haymarket’s ‘Orlando’

WFMT host LaRob K. Rafael visited Haymarket rehearsals, hearing musical rehearsal highlights and talking with two of the production’s stars: countertenor Bejun Mehta and mezzo-soprano Emily Fons.

Handel in HD: Haymarket’s Season Premieres with Streaming ‘Acis and Galatea’

Baroque music goes digital.

Finding Hope in Handel

Little known fact: Handel ranked ‘Theodora’ — not ‘Messiah’ — as his best oratorio. You’ll see why in a rapturous performance by Lorraine Hunt Lieberson.

Drinking, Dueling, and a Dragon? Huzzah!

It’s Baroque opera, minus the sobriety. The serious operas of Handel and Gluck get the parody treatment in this excerpt from the 1737 opera The Dragon of Wantley performed by Haymarket Opera Company!