Steve Jobs gets the operatic treatment with Mason Bates’ Grammy-winning The (R)evolution of Steve Jobs. We spoke with the composer, librettist Mark Campbell, as well as baritone Edward Parks, who created the role of Jobs.
In this celebratory season, audiences will hear two twentieth-century operas and three world premieres across COT’s full slate of mainstage and special programming.
An hour-long piece for baritone and orchestral septet, the work depicts with unrelenting intensity the horrors of war and the PTSD faced by many returning veterans.
Fire Shut Up in My Bones became the first work by a Black composer in the 138-year history of the Metropolitan Opera as the company presented its first staged performance since March 2020 following a gap caused by the coronavirus.
The Met says X will open on Nov. 3, 2023, in a staging by Robert O’Hara that will be conducted by Kazem Abdullah. Will Liverman will star in the title role.
Ali was among the most important, most charismatic, most unique figures in American (not just sports) history. So how do you adapt the monumental life of the People’s Champion into an opera?
A Verdi and bel canto expert, Lyric’s new music director Enrique Mazzola will open the season with Verdi’s Macbeth and Donizetti’s The Elixir of Love, while also conducting contemporary opera Proving Up by Missy Mazzoli later in the season.
The Metropolitan Opera will skip an entire season for the first time in its nearly 140-year history and intends to return from the pandemic layoff next September.
The virtual sphere won’t replace the live stage, but it can add a second, more accessible one, with great room for creative growth and the viral potential of easily shareable, iconic images.
Star tenor Lawrence Brownlee’s new Facebook Live series aims to change the face of the industry through interviews with other Black opera singers and advice for aspiring Black opera singers, Brownlee explains.
Amidst the ongoing COVID-19 pandemic, in-person performances will be among the last to return, making “operating on anything close to a normal basis until that phase” impossible.
General director Ashley Magnus maintains that even in troubled times, the company is “moving forward with the belief that opera truly is a living, resilient art form.”
A marathon 6-hour performance will be held in an unexpected (but increasingly familiar) place: Zoom! The video conferencing platform will provide the proscenium for a performance of Pauline Oliveros’ postmodern masterpiece ‘The Lunar Opera.’
We’re glad to see that in recent decades, more and more works by women writers have been given their due in the opera house. Here’s a look back at some of them, and a short list of works by women that we’re waiting to see operatically staged.
