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The 600-page collection could mark the biggest discovery of flute repertoire in 25 years.
One of the most distinguished American artists discusses her career in classical music.
“It’s the right time for Bach Week to bid adieu, and on a high note.”
The Chicago early-music ensemble faced diminishing audience sizes and reduced grant funding possibilities after years of concert disruptions by COVID-19.
Enjoy this festive celebration brimming with beautiful music for the season.
Across three flagship performances, Haymarket continues to plumb the expressive depths of early music repertoire.
Stunning renditions of contemporary works, stirring early music performances, and more.
The Cleveland-based baroque orchestra shares its new program, a sequel to their popular Sugarloaf Mountain: An Appalachian Gathering.
Creating a musical exploration of the complex intertwinings – the sacred bridges – between Judaism, Islam, and Christianity.
Rubén Dubrovsky traces the popular dances of the European Baroque back to Latin American and African roots.
An interview with bass Lionel Meunier, the founder and artistic director of the stylish Belgian early music ensemble.
The Chicago early music ensemble will collaborate with Baroque opera specialists, an eminent early music keyboard player, and leading chamber groups in its upcoming season.
An interview with one of the leading interpreters of Baroque music.
The season embarks on explorations of both staples and forgotten gems of Renaissance and Early Music repertoire.
Internationally renowned soprano Jeanine De Bique makes her Zankel Hall debut alongside opera and early music ensemble Concerto Köln.
Performances marking the 400th anniversary of the death of William Byrd, a Catholic at the pinnacle of the musical world of Protestant England.
The Grammy award-winning tenor share selections from his new album with guitarist Sean Shibe.
Kathleen Fay and Paul O’Dette preview the upcoming operas, concerts, and events of the biennial festival that brings together the finest performers, scholars, and instrument makers who are the vanguard of Baroque performance.
“I’ve been fascinated with this music for a long time — it’s extremely unusual for our preconceived notions of what Renaissance music sounds like.”
The performance lineup features three mainstage operas; all three titles are rare and represent Chicago premieres.
Even though his compositions were well known across Europe during his time, one of Claudio Monteverdi‘s most enduring works was likely not performed (in its entirety, at least) in his lifetime!
Rubén Dubrovsky traces the popular dances of the European Baroque back to Latin American and African roots.
A 12th-century abbess gifted with extraordinary skills in medicine, science, and music.
Instead of a kitchen appliance, Will Sideri stumbled upon a framed document hanging on a wall. It had elaborate script in Latin, along with musical notes and gold flourishes. A sticker said 1285 AD.
Approaching the end of a long tenure, the artistic, administrative, and life partners reflect and look ahead.