From the Composer’s Studio invites you to hear Missy Mazzoli and Jessie Montgomery, two of today’s most celebrated composers, provide a glimpse into their work. Enjoy this insightful, lively discussion co-produced by the CSOA and WFMT.
Fire Shut Up in My Bones became the first work by a Black composer in the 138-year history of the Metropolitan Opera as the company presented its first staged performance since March 2020 following a gap caused by the coronavirus.
Ahead of her appearance at Ravinia this week, we sat down to talk with Lara Downes about her efforts to broaden the classical canon, her first introduction to Black composers like Florence Price and Margaret Bonds, and why she loves to work with Rachel Barton Pine.
Cellist Jean Hatmaker is a founding member of the Kontras Quartet and the principal cellist of the Elmhurst Symphony Orchestra. She teamed up with pianist Michael Finlay to play music by Brahms and Coleridge-Taylor.
A Verdi and bel canto expert, Lyric’s new music director Enrique Mazzola will open the season with Verdi’s Macbeth and Donizetti’s The Elixir of Love, while also conducting contemporary opera Proving Up by Missy Mazzoli later in the season.