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Andris Nelsons leads works by Carlos Simon, Maurice Ravel, George Gershwin, and Igor Stravinsky
The series premiere conducted by Ken-David Masur.
We all came to love classical music in different ways. Here are some of the musical first loves of our WFMT listeners, in their own words.
Music by Copland, Gershwin, and Grofé.
Wanderers, farewells, and sightseeing; people are always on the go. This week, Bill calls up, “A Little Traveling Music, Please” from the pens of Handel, Smetana, Duke Ellington, and more. Reflections from such travels infuse themselves into their works, as we will discover throughout the week. We will hear selections from Beethoven’s Les Adieux, Schubert’s Die Schöne Mullerin, and Haydn’s …
Bennett’s early career peaked in the 1960s as he topped the charts with “San Francisco” and became the first male pop solo performer to headline at Carnegie Hall, releasing a live album of the 1962 concert.
Michelle Cann returns to Pritzker Pavilion as soloist in George Gershwin’s dazzling Rhapsody in Blue.
André de Ridder leads the CSO in music from Gershwin’s Porgy and Bess, along with Rhapsody in Blue and Ravel’s Piano Concerto with Inon Barnatan.
Violinist Ria Honda and pianist Umi Garrett play music by Robert Schumann and George Gershwin, live from the Seventeenth Church of Christ, Scientist, Chicago.
Says James Taylor, an attendee of the event (and a former partner): “Joni is a national treasure.”
Not only are these composers’ musical works an inspiration, but their words are, too! Here are some of the most beautiful insights you’ll read all day.
This ain’t your average classical music dance playlist: dance along to new pieces, old grooves, treasured tangos, and winsome waltzes.
WFMT brings you a “musical getaway,” whether you’re enjoying the comfort of your cushiest armchair or exploring somewhere new!
The United States has no shortage of patriotic music, and each piece has its own fascinating history. How knowledgeable are you about the sounds of America?
It’s been a strange, difficult year for the music world, which is all the more reason to celebrate musical excellence.
September is National Piano Month, so WFMT is sharing a supersized playlist – with one selection corresponding to each key on the keyboard.
Take this quiz to find out which dean of American music you’re most like! Are you sparse and minimal like Philip Glass? Or do you prefer the sis-boom-bah John Philip Sousa? Do you prefer Samuel Barber’s sonic landscapes of America, or Scott Joplin’s Ragtime portraits of American life?
More than 60 years after Marian Anderson broke the color barrier at the Met, Black singers still face unique obstacles within the opera industry. “We’ve made some strides, but not a whole lot,” said Professor Naomi Andre.
Since there is a type of musical composition named for studying — études, for you non French-speakers — we have the perfect musical accompaniment while you hit the books.
The opera’s decision to put on George and Ira Gershwin’s seminal work set in the American south and intended for a Black cast has caused a conflict with the creators’ estate.
Mahler’s “Symphony of a Thousand,” the continued celebration of the music and influence of Leonard Bernstein, and four films accompanied by live orchestra await festivalgoers this summer at Ravinia, which released its 2019 summer schedule this morning.
The Metropolitan Opera will hire an all-black outside chorus next season for its first presentation in nearly three decades of the Gershwins’ Porgy and Bess.
The eighty-fifth annual season opens June 12 and will run through August 17, with most performances taking place at the Jay Pritzker Pavilion in Millennium Park.
“Summertime” from George Gershwin’s Porgy and Bess is one of the one most popular songs in the Great American Songbook. But did you know that neither the tune to “Summertime” nor the lyrics are by George Gershwin?
Katia and Marielle sat down to share their passion for rarely-performed gems, their love of new music, and how living composers have helped them find the freedom that fuels their artistry.