A baroque interpretation of Shakespeare’s A Midsummer Night’s Dream, this semi-opera combines Purcell’s exquisite music with spoken drama and dance, celebrating the enchantment and complexities of love in a fantastical setting.

Two singers at the height of their powers—radiant soprano Nadine Sierra and tenor sensation Benjamin Bernheim—come together as the star-crossed lovers in Gounod’s sumptuous Shakespeare adaptation.

Mazzola speaks with WFMT general manager George Preston about returning to live performance, Giuseppe Verdi’s Macbeth, Gaetano Donizetti’s The Elixir of Love, and what he loves most about being a Chicagoan.

WFMT host Candice Agree has selected some of her favorite works of literature that have inspired musical compositions for you to enjoy on World Book Day.

Many composers have also answered the call of springtime’s riotous colors during this, the blooming season.

The opera house can be a scary place – and we’re not talking about all those crazy singers and their shenanigans backstage! Many operas contain ghastly ghouls, ghosts, goblins, witches, dragons, and all kinds of crazy creatures. Here are some of the most frightening pieces from the history of opera.

Get your cauldron brewing with works by Donizetti, Puccini, Haydn, Delibes, and more!

If “Music oft hath such a charm / To make bad good, and good provoke to harm,” perhaps these 10 Shakespeare-inspired operas will charm you.

“The last time we did this production, you could hear that people were really upset by it. And yet, there is absolutely beautiful choreography — it’s absolutely stunning.”

Even if you don’t know the name Tom Bachtell, you know his work. For over 20 years, the Chicago-based illustrator has been a regular contributor to The New Yorker, which includes his drawings and caricatures in “The Talk of the Town” each week. You may also have seen Bachtell’s art in other publications including The New York Times, The Wall …

“Opera is deeply satisfying in a way that Shakespeare cannot be,” stage director Barlett Sher said backstage at Lyric Opera of Chicago during rehearsals for Gounod’s Roméo et Juliette.

We spoke with the Chicago theater institution’s founder and artistic director about the music that inspires her.