In addition to the annual CSO residency, Ravinia will play host to a spate of guest ensembles, including Music of the Baroque, The Knights, the Lincoln Trio, Chanticleer, the Chicago Philharmonic, and the Chicago Sinfonietta.
“I thought that this was a piece that needed good tunes. And also, because it’s a concerto, you have to have some fast music in there. There are parts where I’m like, ‘Okay, let’s let it rip.'”
Johnson, the incoming director of the Chicago Phil, reflects that he “can’t stress enough how important it is to champion those voices that haven’t been heard.”
Culminating in “The Times Are Racing” by choreographer Justin Peck, Joffrey’s mixed-rep program features “ballet, contemporary, comic, and a ‘sneaker ballet,’” artistic director Ashley Wheater describes.
WFMT has been lucky enough to share conversations and interviews with many of the 2020 Grammy-nominated artists. Here are all the features with the conductors, composers, and musicians who have been recognized by the Recording Academy.
Conductor Scott Speck, who leads the Chicago Philharmonic for performances of The Nutcracker with Joffrey Ballet, explained what makes Tchaikovsky’s score as addictive as your favorite holiday treats.
Whether you’re looking for a hardcore horror flick or a family-friendly outing, this list has you covered for some of the Chicago area’s Halloween highlights!
“I believe that Karenina is a magical moment of looking at our beautiful art form and taking it a step forward,” says Ashley Wheater, Joffrey Ballet’s artistic director. One of the cornerstones of the production is 35-year-old composer Ilya Demutsky’s brand new, full-length orchestral score, the first such commission in Joffrey’s 62-year history.
Joffrey Ballet’s artistic director, Ashley Wheater, and music director, Scott Speck, discuss “Swan Lake,” Joffrey’s 2018-19 season, and ballet’s unique and rich creative relationship with music.
From the Chicago Symphony Orchestra to Lyric Opera of Chicago and much more, the Teen Arts Pass is making it easier for young people to have access to Chicago’s many great cultural institutions.
“What the Jews did at Terezín was reach for the best of mankind to help them endure the worst of mankind. This is what the arts can do. This is what the arts do do,” says conductor Murry Sidlin
Choreographer John Neumeier said that in his reinterpretation of Sylvia, he “tried to invent a movement vocabulary that would suit each of the characters.”
