Overture (Suite) in F, "Alster" | Telemann, Georg Philipp
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Jennifer Dunnington creates emotions for a living. For Ken Burns’ latest film, Muhammad Ali, Dunnington, an Emmy-winning music producer and music editor, used music to convey emotions, introduce momentum, and ratchet up drama in the rink.
Ali was among the most important, most charismatic, most unique figures in American (not just sports) history. So how do you adapt the monumental life of the People’s Champion into an opera?
Matthew Polenzani, one of the artists performing at the Met’s Verdi Requiem commemorative concerts on the 20th anniversary of September 11, 2001, reflects on why music can help us heal.
“I had to think about the Roaring Twenties and music like Louis Armstrong, King Oliver, and so on, that Ida B. Wells [would have been] hearing.”
A noted Chicago businessman, philanthropist and civic leader who served as a WTTW and WFMT trustee for more than 20 years, Jim Mabie died Saturday surrounded by his family.