As one of the very few women music directors of a major US opera company, Yankovskaya is respected for her leadership, artistic vision, as well as her inventive programming.
In this celebratory season, audiences will hear two twentieth-century operas and three world premieres across COT’s full slate of mainstage and special programming.
Music director Riccardo Muti will conduct music by Beethoven, Price, Glass, and Montgomery while welcoming guest artists like Anne-Sophie Mutter, Leif Ove Andsnes, and Mitsuko Uchida.
A collaborative performance with Chicago Opera Theater, the Refugee Orchestra Project, and conductor Lidiya Yankovskaya seeks to express the importance of refugee populations in American music and around the world.
General director Ashley Magnus maintains that even in troubled times, the company is “moving forward with the belief that opera truly is a living, resilient art form.”
Two operatic opus ones will have their Chicago premieres this weekend, and they both command a chorus of well over 100. Chicago Opera Theater opens its 2019-20 season with a double bill: Joby Talbot’s Everest and Rachmaninoff’s Aleko.
General director Ashley Magnus exclaims that “to ensure that opera stays relevant as a living art form, we must bring contemporary voices, as well as works of international prominence never before seen in Chicago to the stage.”
Chicago Opera Theater today announced its 2018/19 season composed of three new-to-Chicago works, continuing the company’s commitment to presenting new and rarely performed operas.
When conductor Lidiya Yankovskaya was recently named the new music director of Chicago Opera Theater, she became the only woman to hold that title with a major American opera company. Get to know Yankovskaya in this video interview.
