Joffrey Ballet Announces 2019/20 Season

The season features four Chicago premieres and the return of two reimagined staples.

Joffrey’s ‘Swan Lake’ Launches a New Season of Ballet and Music

Joffrey Ballet’s artistic director, Ashley Wheater, and music director, Scott Speck, discuss “Swan Lake,” Joffrey’s 2018-19 season, and ballet’s unique and rich creative relationship with music.

Paul Taylor, giant of modern dance, dead at 88 in New York

Taylor kept working well into his 80s, venturing into his company’s Manhattan studios from his Long Island home to choreograph two new pieces a year.

Inside the Score: Adolphe Adam’s Giselle

Joffrey’s Scott Speck, who co-authored Classical Music for Dummies, explains how music helps to tell the stories you see on stage.

Video: What Choreographer Justin Peck Listens for When Picking Music for Dance

Renowned choreographer Justin Peck took a break from his rehearsals with the Joffrey Ballet to explain what he listens for when selecting music to choreograph.

10 US Presidents Who Changed Music in America, According to White House Historical Society Director Emerita

Elise K. Kirk, emerita director of the White House Historical Society, highlights ten US presidents who changed music in America through the music they presented at the White House.

Lyric, Joffrey Announce First Collaboration with 17/18 Season Opener

John Neumeier, director and chief choreographer of the Hamburg Ballet, directs, choreographs, and designs the production.

A Sneak Peek of Joffrey’s New Nutcracker Set During Chicago’s Columbian Exposition of 1893

Dancer Anastacia Holden reflected that “as an artist, we’re always looking for new challenges, because they make us grow. It’s always great to do a new work and see a fresh take on this traditional holiday story.”

The Surprising Politics of Prokofiev’s Romeo and Juliet

“The last time we did this production, you could hear that people were really upset by it. And yet, there is absolutely beautiful choreography — it’s absolutely stunning.”

Sono Osato, 96, Reflects on Dancing With the Ballet Russes

“I think I am one of the few American dancers who ever saw the Diaghilev ballet at the peak of its glory,” Sono Osato begins her autobiography Distant Dances. At the ripe age of 14, Osato became the first American dancer to join the Ballet Russes de Monte-Carlo, derived from Diaghilev’s famous Ballets Russes. With the company, she toured the …

Rare Ballet Sylvia Comes to Chicago

Choreographer John Neumeier said that in his reinterpretation of Sylvia, he “tried to invent a movement vocabulary that would suit each of the characters.”

5 Women on Being Modern Women in Dance

Choreographer and modern dance maven Claire Bataille: “But gender discrimination is really no different in the dance world from what it is in the corporate world…”