One of Chicago’s most notable and dynamic ensembles has announced its upcoming season.

From concerts to screenings to festivals to parades, there’s always something happening in and around Chicago for LGBTQ+ Pride Month.

The 17-year-old violinist claimed first prize with her performance of Ernest Chausson’s Poème for violin and orchestra.

The performance lineup features three mainstage operas; all three titles are rare and represent Chicago premieres.

Tenor Matthew Polenzani reflects that “there are definitely pieces where what’s required dramatically in a hall of 4,000 seats is different from what’s required dramatically on a screen.”

Brennan was an active and engaged leader, serving on nearly every committee of the WTTW-WFMT board.

Haymarket Opera Company has announced its 2022 lineup; the March-September season will feature three works.

WFMT host LaRob K. Rafael visited Haymarket rehearsals, hearing musical rehearsal highlights and talking with two of the production’s stars: countertenor Bejun Mehta and mezzo-soprano Emily Fons.

The new company launches with fully staged works by Puccini and Wolf-Ferrari, plus a concert inspired by Dante’s Divine Comedy.

When it comes to getting around a bustling city like Chicago to see the sights, jumping in a cab is a great place to start. But hearing the city? Turns out, a taxi can take you on a listening journey, too.

In the eyes of tenor Nicholas Phan, living composers and the classical music genre of art song both face a similar obstacle: they’re often overlooked when it comes to programming and promoting classical music.

“I was thirteen years old and on a definite budget: I took some of my paltry allowance and spent the princely sum of $1 on a record.”

Cellist Hee-Young Lim and pianist Kuang-Hao Huang performed in a WFMT Facebook Live from the Brennan Family Recital Hall at the DePaul University School of Music.

“This idea of the one-man or one-woman show is very American. For the French, it is all about l’équipe, the team.”

CMPI will support promising young musicians from underrepresented backgrounds and low-income households in order to diversify the next generation of musicians.

“The design decisions have been born of our experiences performing and recording,” Stefan Hersh explains.

Though Larry primarily features CDs on his program, over several decades his collection has evolved into over 5,000 recordings, including LPs and original 78RPM discs dating back to 1901.

“I love to sing for people, and that helps with my mood swings too – especially folk music. Folk music is the mother of all music. It’s the people’s music. I am very grateful to express my views through the music. Music can make people confront reality and confront themselves.”

Sauer began her long tenure with the CSO in 1959 when Music Director Fritz Reiner invited her to perform with the orchestra. During the 1967-68 season, Music Director Jean Martinon officially added her to the roster. She was named principal piano at the start of the 2000-01 season.

To label Manhathappa’s music simply as a fusion between Carnatic music and jazz would be reductive. If, anything, it represents “the beautiful multicultural state of affairs of the United States right now.”