Teenagers in Chicago Can Now Attend Live Music, Dance, Theater for Just $5. Here’s How.

From the Chicago Symphony Orchestra to Lyric Opera of Chicago and much more, the Teen Arts Pass is making it easier for young people to have access to Chicago’s many great cultural institutions.

Chicago Symphony Orchestra Announces 2018/19 Season, Muti Extends Contract Through 2022

Today, the Chicago Symphony Orchestra Association announced programming for the Chicago Symphony Orchestra and Symphony Center Presents 2018/19 season.

Inside the Score: Adolphe Adam’s Giselle

Joffrey’s Scott Speck, who co-authored Classical Music for Dummies, explains how music helps to tell the stories you see on stage.

Video: What Choreographer Justin Peck Listens for When Picking Music for Dance

Renowned choreographer Justin Peck took a break from his rehearsals with the Joffrey Ballet to explain what he listens for when selecting music to choreograph.

Be the First to Know Lyric Opera of Chicago’s 2017-18 Line-Up of Operas, Concerts, and More

A new production of Gluck’s Orphée et Eurydice, in partnership with the Joffrey Ballet, and the second installment of Wagner’s Ring, will highlight the 2017-2018 season at Lyric Opera of Chicago.

Lyric, Joffrey Announce First Collaboration with 17/18 Season Opener

John Neumeier, director and chief choreographer of the Hamburg Ballet, directs, choreographs, and designs the production.

A Sneak Peek of Joffrey’s New Nutcracker Set During Chicago’s Columbian Exposition of 1893

Dancer Anastacia Holden reflected that “as an artist, we’re always looking for new challenges, because they make us grow. It’s always great to do a new work and see a fresh take on this traditional holiday story.”

The Surprising Politics of Prokofiev’s Romeo and Juliet

“The last time we did this production, you could hear that people were really upset by it. And yet, there is absolutely beautiful choreography — it’s absolutely stunning.”

Rare Ballet Sylvia Comes to Chicago

Choreographer John Neumeier said that in his reinterpretation of Sylvia, he “tried to invent a movement vocabulary that would suit each of the characters.”