A Verdi and bel canto expert, Lyric’s new music director Enrique Mazzola will open the season with Verdi’s Macbeth and Donizetti’s The Elixir of Love, while also conducting contemporary opera Proving Up by Missy Mazzoli later in the season.
Ludwig, a renowned interpreter of Wagner, Mozart and Strauss who starred on the world’s great stages for four decades, had died at her home in Klosterneuburg, Austria.
Denyce Graves was the perfect guest to launch WFMT’s new digital series! The celebrated mezzo-soprano discusses her career, her relationship with the late Justice Ginsburg, and diversity, equity, and inclusion in the opera world.
Even though Supreme Court Justices Antonin Scalia and Ruth Bader Ginsburg disagreed on many things, what united them was humor and a love for opera. Composer, librettist, and former attorney Derrick Wang reveals how he created an opera about these two influential figures.
The December 7 season premiere at Milan’s La Scala opera house is being scrapped after a rash of coronavirus infections among musicians and chorus members.
What is a versatile and active musician to do during quarantine? Susan Nelson has been learning and sharing songs by female composers and songwriters across various genres.
The Metropolitan Opera will skip an entire season for the first time in its nearly 140-year history and intends to return from the pandemic layoff next September.
The virtual sphere won’t replace the live stage, but it can add a second, more accessible one, with great room for creative growth and the viral potential of easily shareable, iconic images.
“Covid fan tutte” is a satirical take on Mozart’s classic opera “Cosi fan tutte,” with an adapted contemporary story line that reflects the Nordic country’s coronavirus outbreak.
Ahead of a free livestream this weekend, the star tenor reflected on his colleagues and career in opera and what he thinks classical music organizations should be doing to better represent their communities.
Star tenor Lawrence Brownlee’s new Facebook Live series aims to change the face of the industry through interviews with other Black opera singers and advice for aspiring Black opera singers, Brownlee explains.
General director Ashley Magnus maintains that even in troubled times, the company is “moving forward with the belief that opera truly is a living, resilient art form.”
In March, the ascendant American baritone Edward Nelson took first prize at the 2020 Glyndebourne Opera Cup, an operatic singing competition hosted in England.
A marathon 6-hour performance will be held in an unexpected (but increasingly familiar) place: Zoom! The video conferencing platform will provide the proscenium for a performance of Pauline Oliveros’ postmodern masterpiece ‘The Lunar Opera.’
Getting through winter in Chicago is tough enough, but when it’s immediately followed by a global pandemic and social distancing, it’s a real double-whammy. We’re reminded of the Prisoners’ Chorus from Beethoven’s ‘Fidelio.’
A four-hour drive southwest from Chicago and just across the Mississippi River from St. Louis sits Edwardsville, Illinois. The small city — founder Chase Hopkins’ hometown — is the site of the state’s newest opera company.
The opera star said in a post on his personal Facebook account Sunday that “I feel it is my moral duty to announce to you that I have tested positive for COVID19.”
From DiDonato’s New York City living room, the pair performed excerpts of Massenet’s ‘Werther’ for nearly 90 minutes that were streamed live on DiDonato’s Facebook and Instagram pages.
We’re glad to see that in recent decades, more and more works by women writers have been given their due in the opera house. Here’s a look back at some of them, and a short list of works by women that we’re waiting to see operatically staged.
People familiar with the findings have said that an investigation found more than two dozen people who said they were sexually harassed or witnessed inappropriate behavior by Domingo over two decades
