A collaborative performance with Chicago Opera Theater, the Refugee Orchestra Project, and conductor Lidiya Yankovskaya seeks to express the importance of refugee populations in American music and around the world.
“For centuries, millennia, we humans have looked at the stars and wondered about our place in the universe and what’s beyond. That’s what I wanted to dig into,” reflects musician-composer-producer Caroline Shaw on her latest work, The Listeners.
This past February, Stephen Alltop led the Northwestern University Symphony, the Alice Millar Chapel Choir, the Evanston Children’s Choir, and soloists in Terra Nostra – Our Earth – by the acclaimed Chicago-based composer Stacy Garrop. This large-scale celebration of our planet, and the relationship between humankind and the natural world, uses poetry by Byron, Shelley, Wordsworth, Tennyson, Walt Whitman, and …
WFMT observes the 50th anniversary of the first Earth Day with a fitting broadcast: Chicago composer Stacy Garrop’s oratorio Terra Nostra, which celebrates our planet and explores the relationship between humankind and the natural world.
We’re glad to see that in recent decades, more and more works by women writers have been given their due in the opera house. Here’s a look back at some of them, and a short list of works by women that we’re waiting to see operatically staged.
Between February 2020 and June 2021, Lina González-Granados will have the opportunity to study and work with Maestro Muti, conduct the Civic Orchestra of Chicago, and participate in cultural activities and outreach throughout the greater Chicago area.