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17 year-old Rebecca Vazquez said that hearing the Chicago Symphony Orchestra perform at Lane Tech College Prep High School, where she is a student, is a “a once in a lifetime opportunity.” The orchestra performed there on Wednesday, November 15, 2017, as part of its efforts to bring music to communities throughout Chicago.
CSO music director Riccardo Muti decided to dedicate an encore to victims after a concert in Berkeley, where the orchestra had a multi-day residency.
Sometimes, composers save their best work for last. Is Verdi’s last opera, “Falstaff,” his best?
For 50 years, the sculpture, known simply as the Chicago Picasso, has delighted and baffled passersby. The artist never revealed his inspiration.
Since Riccardo Muti became the CSO’s music director in 2010, Chicagoans have enjoyed many magical moments with the maestro.
“Yo-Yo Ma wanted to meet with me, and I thought it was a joke,” Reverend Michael L. Pfleger said to an audience of over 1,000 people at St. Sabina Church.
Conductor Manfred Honeck shared one of his favorite quotes that guides his artistic work, and it just might change the way you think about classical music.
The Chicago Symphony Orchestra recently announced the 2017-18 lineup for its acclaimed series MusicNOW, celebrating 20 years of bringing contemporary music to Chicago.
Net proceeds from the remaining ticket sales will benefit St. Sabina’s Strong Futures employment program, which currently serves 50 young people ages 17-26 by providing training, mentorship, and other services.
James Levine, recently retired music director of the Metropolitan Opera, has been named conductor laureate of the Ravinia Festival.
For ten weeks each year, Erina Yashima works directly with Chicago Symphony Orchestra music director Riccardo Muti and leads the Civic Orchestra.
31-year-old composer Samuel Adams didn’t yet have specific ideas in mind when he began his three-year residency with the Chicago Symphony Orchestra two years ago. Rather, he developed them as he got to know members of the orchestra and music director Riccardo Muti. Eventually, he decided that he wanted to write something that would “explore every possible extreme of what …
This summer’s festival is anchored by the eighty-second annual residency of the Chicago Symphony Orchestra.
For many musicians, the chance to perform with the Chicago Symphony Orchestra is a dream gig. The Crain-Maling Foundation Chicago Symphony Orchestra Young Artists Competition makes this dream come true for one young musician every year. On Saturday, March 11, four finalists competed in Symphony Hall for the chance to perform with the CSO during a youth concert in the …
Holy Name Cathedral is an architectural landmark in the heart of downtown Chicago. On February 17, 2017, the church opened its doors to another Chicago treasure, the Chicago Symphony Orchestra.
Maestro Muti sat down with Sheila Jones, coordinator of the CSO’s African American Network, years ago to ask, “How do we bring the African American community into Symphony Center?”
Riccardo Muti will conduct ten weeks of subscription programs at Symphony Center and lead the orchestra on two U.S. tours, to the West Coast in October and to the East Coast in February 2018.
In April 2017, the Chicago Symphony Orchestra will perform a newly-discovered work by Stravinsky, Funeral Song, in concerts led by Charles Dutoit.
Sauer began her long tenure with the CSO in 1959 when Music Director Fritz Reiner invited her to perform with the orchestra. During the 1967-68 season, Music Director Jean Martinon officially added her to the roster. She was named principal piano at the start of the 2000-01 season.
The Chicago Symphony Orchestra Association announced the results from the 2015-2016 fiscal year at its Annual Meeting, which took place October 26, 2016 at Symphony Center. The organization posted a deficit of $1.1 million, though ticket sales for the CSO Main series hit record highs. The CSOA reported that overall ticket sales were down slightly to $22.2 million from last …
As WFMT’s Music Director, Andi Lamoreaux got to share some of her favorite music with audiences around the world. Here are some of her favorite pieces and performers, along with suggested recordings.
As soon as the Chicago Symphony Orchestra played the first four notes of Beethoven’s Symphony No. 5, an audience of over 3,000 at the Apostolic Church of God on Chicago’s South Side broke into applause.
“That phrase just runs through and through your head and you cannot get it out. It occupies their entire field of vision, that sentence.”
Surprisingly, Chicago’s Ravenswood neighborhood is at the center of this musical standard.
Because the names Bach, Mozart, Beethoven, Schubert, and Wagner are inscribed on the façade of Symphony Center, it may come as a surprise to some that the music of Stevie Wonder will pour out of Orchestra Hall.