“It was a very ambitious and therefore expensive project, and unfortunately in the current conditions, it wasn’t something that we can manage,” LA Opera CEO Christopher Koelsch said.
Whether you’re poring over a biography, traversing a novel, or perhaps writing something yourself, WFMT’s reading playlist is made to help you relax, focus, and get lost in literature.
WFMT host Candice Agree has selected some of her favorite works of literature that have inspired musical compositions for you to enjoy on World Book Day.
Ernest Hemingway was, by his own account, “absolutely without talent” when it came to music, but his influential writing and extraordinary life have inspired many film and TV composers.
Our picture of the past is often incomplete: though long on the frontlines in the fight for racial justice, women’s stories have often been left out of history. Here are nine conversations with women to enrich our understanding.
General director Ashley Magnus maintains that even in troubled times, the company is “moving forward with the belief that opera truly is a living, resilient art form.”
As an outsized figure in literature and poetry, Poe has inspired composers like Debussy, Rachmaninoff, Philip Glass, and composer-conductor Leonard Slatkin, who set Poe’s “The Raven” to music in 1971.
We’re glad to see that in recent decades, more and more works by women writers have been given their due in the opera house. Here’s a look back at some of them, and a short list of works by women that we’re waiting to see operatically staged.
To conceal that the book’s author was a woman, Charlotte Brontë’s Jane Eyre was first published in 1847 under a pen name. Choreographer Cathy Marston feels the book was revolutionary: “It truly was groundbreaking for a woman to write about her emotions and station in life with such honesty.”
“I believe that Karenina is a magical moment of looking at our beautiful art form and taking it a step forward,” says Ashley Wheater, Joffrey Ballet’s artistic director. One of the cornerstones of the production is 35-year-old composer Ilya Demutsky’s brand new, full-length orchestral score, the first such commission in Joffrey’s 62-year history.
